A beautiful exploration of both grief and romance starring a lovably hilarious heroine.
Desperate for a baby, a single woman attempts to find a partner through a website for potential co-parents—but when feelings develop, things get complicated.
Lucie Yi knows she wants a child, but her journey to parenthood has been bumpy. After having a miscarriage, she suffers another devastating blow when her boyfriend cheats on her. She flees Singapore to work in New York City, where she can deal with her grief far away from reminders of her old life. But with her biological clock ticking louder and louder, Lucie knows she needs to act fast if she wants the baby she’s always dreamed of. The dating pool isn’t offering any potential fathers, but then she discovers Co-Family.com, a platform that one of her friends describes as “Tinder for would-be parents.” A platonic co-parenting situation is just what Lucie wants—she can’t deal with another heartbreak. When she meets Collin, she knows he’ll make the perfect father for her child. He’s willing to move to Singapore, where she wants to raise their child, and best of all, she doesn’t have any pesky feelings for him. But when she gets pregnant and they make the move back to her home country, things get complicated. Because of the intense social stigma around unwed mothers in Singapore, Lucie and Collin have to tell her parents that they’re going to get married. And then Lucie’s cheating ex, Mark, shows up. He claims he’s changed and wants to be together, but spending so much time with Collin has made Lucie realize that she might want other things. Should Lucie take the unconventional path with Collin and risk screwing up their platonic co-parenting situation, or should she fall into the safe comfort of Mark’s arms? Ho delicately balances grief, romance, and humor. There are many laugh-out-loud lines (including Lucie’s thoughts as her body changes during pregnancy), but Lucie’s sorrow over what she lost—both a baby and her imagined future—always rings true. This is best shown in a particularly touching scene in which Lucie attends a support group for grieving parents.
A beautiful exploration of both grief and romance starring a lovably hilarious heroine.Pub Date: June 21, 2022
ISBN: 978-0-593-42226-7
Page Count: 416
Publisher: Putnam
Review Posted Online: March 24, 2022
Kirkus Reviews Issue: April 15, 2022
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
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