A sharp perspective informs an eclectic collection.
Back pains and other musings.
Cultural critic and literary scholar Jackson offers seven wide-ranging, digressive essays on the back as structure and symbol. “As character work,” she writes, “the back acquires a familiar duality, invoked in terms both mechanical and metaphorical.” Among weightlifters and bodybuilders, for example, the width, thickness, and leanness of a competitor’s back factors into a judge’s evaluation. In “Spinal Articulations,” Jackson considers the Russian athlete Maryana Naumova, who set the juvenile world record as the strongest girl in the world, in 2012, when she was 13. Despite her prowess in bench-pressing 198.4 pounds, the petite athlete came in for derision because of the arch of her back. More pronounced than the expected a gentle curve, her form seemed to some viewers “completely disturbing.” “Lifters strive for what they call ‘good form,’” she writes, “though what form the good takes says much about what they value.” Form and value emerge also as themes in essays on ballet, horse racing, and art. The author considers the physical structure of the back as a template of history, with the brutality of slavery revealed in the welts striating scarred backs. In slave narratives and in the movies about slavery that Jackson examines, such as Quentin Tarantino’s Django Unchained, the ravaged back does the work of establishing a character’s personhood stripped by violence. Jackson also muses about idiomatic uses of the term back—as in comeback, flashback, and even backyard. She devotes one essay, “A Good Party,” to the presidential campaign that saw Kamala Harris pitted against Donald Trump. Its mantra, “repeated at every opportunity,” was “Not going back!” But refusing to look back at the party’s embarrassing past, Jackson asserts, means refusing to learn from “the good stuff too.”
A sharp perspective informs an eclectic collection.Pub Date: Oct. 13, 2026
ISBN: 9780063043909
Page Count: 240
Publisher: Amistad/HarperCollins
Review Posted Online: Aug. 3, 2026
Kirkus Reviews Issue: Sept. 1, 2026
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
An exquisitely original celebration of American Blackness.
A potent series of “notes” paints a multidimensional picture of Blackness in America.
Throughout the book, which mixes memoir, history, literary theory, and art, Sharpe—the chair of Black studies at York University in Toronto and author of the acclaimed book In the Wake: On Blackness and Being—writes about everything from her family history to the everyday trauma of American racism. Although most of the notes feature the author’s original writing, she also includes materials like photographs, copies of letters she received, responses to a Twitter-based crowdsourcing request, and definitions of terms collected from colleagues and friends (“preliminary entries toward a dictionary of untranslatable blackness”). These diverse pieces coalesce into a multifaceted examination of the ways in which the White gaze distorts Blackness and perpetuates racist violence. Sharpe’s critique is not limited to White individuals, however. She includes, for example, a disappointing encounter with a fellow Black female scholar as well as critical analysis of Barack Obama’s choice to sing “Amazing Grace” at the funeral of the Rev. Clementa Pinckney, who was killed in a hate crime at the Mother Emmanuel AME Church in Charleston, South Carolina. With distinct lyricism and a firm but tender tone, Sharpe executes every element of this book flawlessly. Most impressive is the collagelike structure, which seamlessly moves among an extraordinary variety of forms and topics. For example, a photograph of the author’s mother in a Halloween costume transitions easily into an introduction to Roland Barthes’ work Camera Lucida, which then connects just as smoothly to a memory of watching a White visitor struggle with the reality presented by the Legacy Museum in Montgomery, Alabama. “Something about this encounter, something about seeing her struggle…feels appropriate to the weight of this history,” writes the author. It is a testament to Sharpe’s artistry that this incredibly complex text flows so naturally.
An exquisitely original celebration of American Blackness.Pub Date: April 25, 2023
ISBN: 9780374604486
Page Count: 392
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 18, 2023
Kirkus Reviews Issue: Feb. 15, 2023
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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