A welcome reference, packed with cutting-edge Black thought across a range of disciplines and traditions.
A set of critical tools to further Black resistance to things as they are.
Made up of scholars, writers, and artists from around the world, the Practicing Refusal Collective here gathers essays, poems, art, and other work that speaks to the “practice of refusal,” which, in turn, “names the group’s rejection of the idea that the current status quo of black life is livable.” Akin to Raymond Williams’ classic Marxist lexicon Keywords (1976), the volume locates ways to “think it from black,” to understand a term—say, anarchy, the subject of the first two entries—in the context of Black life and thought. Black anarchism, writes William C. Anderson, was founded by revolutionary activists “who shifted left of leftism after certain critical experiences” and who offered a critique of classical anarchism’s foundations in European thought. In the entry for “Blacksound,” a useful portmanteau, Matthew D. Morrison writes of “the structures and systems that have allowed for the extraction, manipulation, standardization, consumption, exploitation, and absorption of black musical practices by the masses since slavery.” Nyong’o, one of the volume’s editors, examines the term “fascism,” so wide in circulation today, and locates a Black dimension in it. Where some may see it as an aberration, it is business as usual for those who live daily under oppression: “Fascism is not an interruption, but a continuity—a dream of domination that must be refused again and again.” Property, resilience, risk, being seen—these and many more terms, nearly a hundred in all, offer fresh avenues of thought. Altogether, the volume contributes materially to, as J Wortham writes in a charged essay on “Dissociation” in the psychological sense, “the possibility of another world beyond the known one…to do more than escape shame, to create new ways of being.”
A welcome reference, packed with cutting-edge Black thought across a range of disciplines and traditions.Pub Date: Sept. 8, 2026
ISBN: 9780374620080
Page Count: 368
Publisher: Farrar, Straus and Giroux
Review Posted Online: Aug. 17, 2026
Kirkus Reviews Issue: Sept. 15, 2026
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A football star’s bracing account of his battle for racial equality—and how powerful forces arrayed against him.
A principled athlete strives for social justice.
Kaepernick forthrightly details the activism that earned him global renown but cost him his NFL career. In 2016, the San Francisco 49ers quarterback “was filled with disgust” after police shootings of fellow Black men in several American cities. Before a preseason game, he made a spontaneous decision: “It hit me in that moment that I should find a seat” during the national anthem. He did the same at two more games before reporters noticed. Kaepernick will forever be associated with “taking a knee” during the anthem, but he credits Eric Reid—a teammate who agreed with Kaepernick’s message—for suggesting that they kneel together during subsequent anthems. The protest changed everything for Kaepernick. President Trump vilified him. Kaepernick and his wife received death threats. And though he’d taken the 49ers to a Super Bowl, no teams would sign him. He will likely make news for his take on Jay-Z, whose lucrative partnership with the NFL was criticized as an attempt to launder the league’s reputation. Visiting Africa, where Kaepernick learns about “African leaders who willingly sold their own people to the enslavers,” he “couldn’t help but to think about Jay-Z and the NFL.” In opening chapters, Kaepernick recalls suffering traumatic racial abuse as a child. Being in “white spaces”—he was adopted by white parents—placed him “under a microscope every minute of every day.” He isn’t always nuanced, depicting some people he disagrees with as cartoonishly clueless. But his writing about how college and pro teams “lied” to him about injuries underlines his “feeling of being a disposable commodity.” A decade has passed since Kaepernick played in the NFL, but he stays fit in case “a team needing a QB” calls.
A football star’s bracing account of his battle for racial equality—and how powerful forces arrayed against him.Pub Date: Sept. 15, 2026
ISBN: 9781538777879
Page Count: 288
Publisher: Legacy Lit/Hachette
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
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