Though ambitious, this Gothic misses the mark.
Four orphans employ highly unusual talents to solve a series of murders in 1930s New York City.
Dumfrey’s Dime Museum of Freaks, Oddities, and Wonders displays mummies, wax figures, depictions of grisly crime scenes, and now an amazing shrunken head, all to titillate the public. A giant, a fat lady, an elephant man, and others demonstrate their skills and amaze the customers. But the tale is centered on young Sam, Pippa, Thomas, and Max, children whose peculiar abilities set them apart from the world while joining them together into a kind of family unit. The action begins when a customer dies after seeing the shrunken head. When the head is then stolen, headlines scream the events, and suspicion falls on Dumfrey and the children. Trying to save him and the only home they know, the children find themselves ever more deeply enmeshed in difficulties as the bodies mount up and danger stalks them. The plot abounds with action and mystery, but it is filled with red herrings and detours as well as oft-repeated hints about the identity of the master villain. The four orphans’ characters develop very slowly, and their interactions are repetitive and predictable, while the supporting characters, though large in number, are almost entirely one-dimensional. Much of the tale feels self-consciously trope-dependent, too reminiscent of other works and with not enough original material to carry the day.
Though ambitious, this Gothic misses the mark. (Historical fiction. 9-12)Pub Date: Sept. 29, 2015
ISBN: 978-0-06-227081-8
Page Count: 368
Publisher: Harper/HarperCollins
Review Posted Online: June 5, 2015
Kirkus Reviews Issue: June 15, 2015
A successful call for creating and imagining, even if the story itself falls short.
In the dystopian, totalitarian world of 2099, 14-year-old Tessa and her family are desperate to solve the mystery of her twin brother Theo’s disappearance.
Tessa is growing up in a time when playgrounds are historical relics, surveillance cameras are everywhere, music is outlawed, and owning books is illegal. Under the absolute rule of Zokiris, the decadeslong leader of her territory, people are heavily controlled. When Theo vanishes under mysterious circumstances and his name is erased from the Territory Statistics list, Tessa’s 135-year-old neighbor, Miriam, gives the family contraband books that become central to figuring out Theo’s whereabouts. Most books have long since been seized and stored away in Building 903; Tessa is intrigued by their presence in her home, while her mother is terrified. Lowry, the acclaimed, award-winning author of The Giver (1993), shines in her creation of uncomfortably believable dystopian societies. Tessa’s painfully limited world is fully imagined, with its own history, laws, and norms. Her relationship with her brother reads as realistic and tender and is crucial to the mystery. Miriam is the most strongly developed character: wise and independent, unafraid and hopeful. While the climb to the book’s climax is captivating, the hurried resolution is disappointing. The powerful messaging around the importance of literature and imagination certainly resonates, however. The main characters present white.
A successful call for creating and imagining, even if the story itself falls short. (Dystopian. 9-12)Pub Date: Sept. 29, 2026
ISBN: 9780063515109
Page Count: 240
Publisher: Clarion/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Charming, poignant, and thoughtfully woven.
An aspiring scientist and a budding artist become friends and help each other with dream projects.
Unfolding in mid-1980s Sacramento, California, this story stars 12-year-olds Rosalind and Benjamin as first-person narrators in alternating chapters. Ro’s father, a fellow space buff, was killed by a drunk driver; the rocket they were working on together lies unfinished in her closet. As for Benji, not only has his best friend, Amir, moved away, but the comic book holding the clue for locating his dad is also missing. Along with their profound personal losses, the protagonists share a fixation with the universe’s intriguing potential: Ro decides to complete the rocket and hopes to launch mementos of her father into outer space while Benji’s conviction that aliens and UFOs are real compels his imagination and creativity as an artist. An accident in science class triggers a chain of events forcing Benji and Ro, who is new to the school, to interact and unintentionally learn each other’s secrets. They resolve to find Benji’s dad—a famous comic-book artist—and partner to finish Ro’s rocket for the science fair. Together, they overcome technical, scheduling, and geographical challenges. Readers will be drawn in by amusing and fantastical elements in the comic book theme, high emotional stakes that arouse sympathy, and well-drawn character development as the protagonists navigate life lessons around grief, patience, self-advocacy, and standing up for others. Ro is biracial (Chinese/White); Benji is White.
Charming, poignant, and thoughtfully woven. (Fiction. 9-12)Pub Date: Jan. 12, 2021
ISBN: 978-0-06-300888-5
Page Count: 304
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
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