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FOUR KITCHENS

MY LIFE BEHIND THE BURNER IN NEW YORK, HANOI, TEL AVIV, AND PARIS

An American woman's transcultural education and discovery that an unpaid culinary apprenticeship is “not just a culinary experience” but “a human experience.”

Following employment in a leisurely restaurant in Toulouse, France, Shockey embarked on a personal excursion to practice in several renowned kitchens around the world. From haute cuisine to fusion cooking, and from emphasis on technique to taste, her episodic debut reveals the pride and frustration of learning and mastering innovative as well as classical approaches. In her travels—which included enduring hierarchical, occasionally sexist commentary in New York and Paris, sampling challenging (to her Western palate) fare in Hanoi, or rediscovering casual dining in Tel Aviv—veteran foodies and Top Chef fans will recognize the tedious prepwork and the burden of performing over long hours. Shockey attempts to enliven these familiar topics with anecdotes about her struggles to find relationships in ex-pat communities; the resulting patchwork reinforces the book as the tale of a 20-something in search of direction. The author does not glamorize her travels, candidly noting the awkwardness of financial privilege in Vietnam and half-joking that Parisians are “a clan of snobbish people.” Shockey avoids esoteric, gastronomical musings or in-depth coverage of each city’s history and offerings, but she provides convincing evidence that immersion can be the fastest, most effective route to learning. As she remarks at several points, culinary school did not prepare her for what she encountered. Realizing that few chefs actually spend time behind the burner and that the role is often managerial created disappointment, but led to the rewarding affirmation that home-cooking is a passionate, inspiring, valid outlet. Each section includes recipes, many of which translate to the average kitchen. Cooking for clientele and friends alike, Shockey highlights the importance of hands-on, communal involvement—food as nourishment with “soul” rather than high artistry.

 

Pub Date: July 27, 2011

ISBN: 978-0-446-55987-4

Page Count: 352

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2011

Kirkus Reviews Issue: June 1, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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