HER AND ME AND YOU

After her dad’s affair with a younger woman, Alex moves with her mom to her dead grandmother’s house in small-town Connecticut. There she meets the Bishop twins: Fred, who is a dashingly good-looking charmer, and Adina, who is cold and flippantly standoffish. Alex is both bewildered and intrigued by them. Fred’s advances seem more romantic than friendly, and Adina’s self-absorbed, distant behavior puts her off. Before she knows it, she’s enveloped in their world and trapped between her feelings for Fred and Adina’s destructive eating disorder, alcoholism and jealousy. Strasnick’s slim second offering packs a lot into its short chapters: divorce, broken friendships, crushes, the lines between love and sex and more. Characterization, scenes, dialogue and setting are seamlessly distilled into so few sharp, image-rich phrases that the novel reads almost as if it were written in verse. Less is definitely more here, and readers are plunged into Alex’s physical and emotional world within three to four words. Although the plot moves swiftly, the author’s ability to capture Alex’s inner world in so few words give the novel depth and balance. Complex and thought-provoking. (Fiction. 14 & up)

Pub Date: Oct. 5, 2010

ISBN: 978-1-4169-8266-1

Page Count: 208

Publisher: Simon Pulse/Simon & Schuster

Review Posted Online: Sept. 15, 2010

Kirkus Reviews Issue: Oct. 1, 2010

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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The pleasure of the protagonists’ romance notwithstanding, give this one a miss. (Romance. 14-18)

FIVE FEET APART

A hospital is an unlikely place for first love, but for two teenagers with cystic fibrosis who have a history of extended stays, it proves to be a realistic yet difficult backdrop.

Stella is a high school senior who is dedicated to her CF treatments while Will, a talented artist, is home-schooled and anticipating his 18th birthday, when he will be free to make his own medical decisions. Despite rocky first impressions, Stella and Will make a deal—Will must stick to his treatment regimen, and in return, Stella will model for him while he draws her portrait. This leads to romance, but the combination of CF and Will’s infection with B. cepacia requires that he must stay several feet away from Stella, making physical touch an impossibility. Stella eventually understands why living on the edge can be freeing, and Will begins taking his treatment regimen seriously—leading to their only bit of meaningful development. The novel is written in alternating chapters, creating a few unexpected plot developments, but much of it is predictable and forgettable due to thin characterization. All characters are presumed white except for gay, Colombian CF patient Poe, whose story arc fulfills tired stereotypical tropes and who seems to function mostly as a catalyst for Stella’s growth.

The pleasure of the protagonists’ romance notwithstanding, give this one a miss. (Romance. 14-18)

Pub Date: Nov. 20, 2018

ISBN: 978-1-5344-3733-3

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: Jan. 31, 2019

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