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CAPONE

THE MAN AND THE ERA

``I have never before written about someone who differed so sharply from his reputation as Al Capone,'' concludes Bergreen (As Thousands Cheer: The Life of Irving Berlin, 1990, etc.) in this shallow life of Public Enemy No. 1. As Bergreen tells it, Capone was scapegoated for America's failure to abide by Prohibition and was a victim of anti-Italian prejudice. This is far too reductionist. Bootlegging was just one part of Scarface Al's underworld empire, which also included gambling, prostitution, and massive corruption of Chicago's police, politicians, and press; and while there was surely a glut of anti- Italian sentiment, most Italians managed not to be driven by it into a life of crime. To be fair, Bergreen does not deny that Capone was awash in blood, and he has discovered medical files detailing the mobster's cocaine use and syphilis-induced megalomania. He also mentions government files on an older brother who changed his name and became a legendary Prohibition agent, and cites scores of people who testify to Capone's impulsive generosity. Repeated statements about moral complexity, however, explain nothing about why Capone became infamous even in brawling Chicago. Bergreen notes that he conducted more than 300 interviews, but mere quantity is inadequate without standard biographical procedures. For instance, he claims that Capone desperately yearned to forsake racketeering while he sought sanctuary from a murder rap in Lansing, Mich., but the source for this information is cited pseudonymously. Moreover, Bergreen never attempts to prove a Capone confidant's claim that Eliot Ness was on the take (in fact, he portrays Ness as a skirt-chasing, alcoholic publicity hound). Even in an age of revisionism that has raised the stock of the likes of Jimmy Hoffa, Bergreen's insistence on a kinder, gentler Scarface is breathtaking chutzpah—the kind the mobster might have employed. (16 pages b&w photos, not seen) (Book-of-the-Month Club alternate selection; author tour)

Pub Date: Aug. 1, 1994

ISBN: 0-671-74456-9

Page Count: 720

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1994

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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