A well-researched, unsettling investigation of recent trends in the nation’s highest court.
by Laurence Tribe ; Joshua Matz ‧ RELEASE DATE: June 3, 2014
With Chief Justice John Roberts' leadership of the Supreme Court approaching its 10th anniversary, Tribe (Constitutional Law/Harvard Univ.; The Invisible Constitution, 2008, etc.) and Matz, who clerks for a federal judge, provide a perspective on the changes reflected in the court's decision-making patterns.
The co-authors cooperate in a near-forensic dissection of the court's work under Roberts, comparing the arguments of each justice on a case-by-case basis. Many of their conclusions will be eye-openers for general readers. Contrary perhaps to expectation, this is not merely an account of a consistent five-member conservative majority against a liberal minority. Conservatives—e.g., Antonin Scalia and Samuel Alito—can differ from each other as much as they do from liberals like Ruth Bader Ginsburg and Sonia Sotomayor. Tribe and Matz fully address legal, philosophical and political motivations, and they document the general direction taking shape as one that tends to reverse law in many areas established since the New Deal. The authors systematically examine how the conflicting opinions on the court are coming together to reformulate the law's understanding of the Constitution in practice. The justices have focused much attention on cases that involve technical rules of procedure. In these cases, the court has favored big business and limited the rights of individuals to seek remedies through the courts for perceived wrongs. They have also used procedural cases to confer “near-total immunity on prosecutors and police,” even undercutting aspects of Miranda rights. Certain decisions on integration, voter rights and affirmative action have raised questions about plaintiffs' future abilities to pursue any rights case in the courts. The court’s decisions have also been geared toward establishing a new balance between federal and state governments and redefining congressional responsibility regarding the economy.
A well-researched, unsettling investigation of recent trends in the nation’s highest court.Pub Date: June 3, 2014
ISBN: 978-0-8050-9909-6
Page Count: 416
Publisher: Henry Holt
Review Posted Online: May 7, 2014
Kirkus Reviews Issue: May 15, 2014
Categories: GENERAL NONFICTION
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Aug. 15, 1996
Categories: GENERAL NONFICTION
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
Categories: GENERAL NONFICTION
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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