A well-researched, unsettling investigation of recent trends in the nation’s highest court.

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UNCERTAIN JUSTICE

THE ROBERTS COURT AND THE CONSTITUTION

With Chief Justice John Roberts' leadership of the Supreme Court approaching its 10th anniversary, Tribe (Constitutional Law/Harvard Univ.; The Invisible Constitution, 2008, etc.) and Matz, who clerks for a federal judge, provide a perspective on the changes reflected in the court's decision-making patterns.

The co-authors cooperate in a near-forensic dissection of the court's work under Roberts, comparing the arguments of each justice on a case-by-case basis. Many of their conclusions will be eye-openers for general readers. Contrary perhaps to expectation, this is not merely an account of a consistent five-member conservative majority against a liberal minority. Conservatives—e.g., Antonin Scalia and Samuel Alito—can differ from each other as much as they do from liberals like Ruth Bader Ginsburg and Sonia Sotomayor. Tribe and Matz fully address legal, philosophical and political motivations, and they document the general direction taking shape as one that tends to reverse law in many areas established since the New Deal. The authors systematically examine how the conflicting opinions on the court are coming together to reformulate the law's understanding of the Constitution in practice. The justices have focused much attention on cases that involve technical rules of procedure. In these cases, the court has favored big business and limited the rights of individuals to seek remedies through the courts for perceived wrongs. They have also used procedural cases to confer “near-total immunity on prosecutors and police,” even undercutting aspects of Miranda rights. Certain decisions on integration, voter rights and affirmative action have raised questions about plaintiffs' future abilities to pursue any rights case in the courts. The court’s decisions have also been geared toward establishing a new balance between federal and state governments and redefining congressional responsibility regarding the economy.

A well-researched, unsettling investigation of recent trends in the nation’s highest court.

Pub Date: June 3, 2014

ISBN: 978-0-8050-9909-6

Page Count: 416

Publisher: Henry Holt

Review Posted Online: May 7, 2014

Kirkus Reviews Issue: May 15, 2014

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MARTIN LUTHER KING, JR. AND THE MARCH ON WASHINGTON

This early reader is an excellent introduction to the March on Washington in 1963 and the important role in the march played by Martin Luther King Jr. Ruffin gives the book a good, dramatic start: “August 28, 1963. It is a hot summer day in Washington, D.C. More than 250,00 people are pouring into the city.” They have come to protest the treatment of African-Americans here in the US. With stirring original artwork mixed with photographs of the events (and the segregationist policies in the South, such as separate drinking fountains and entrances to public buildings), Ruffin writes of how an end to slavery didn’t mark true equality and that these rights had to be fought for—through marches and sit-ins and words, particularly those of Dr. King, and particularly on that fateful day in Washington. Within a year the Civil Rights Act of 1964 had been passed: “It does not change everything. But it is a beginning.” Lots of visual cues will help new readers through the fairly simple text, but it is the power of the story that will keep them turning the pages. (Easy reader. 6-8)

Pub Date: Jan. 1, 2001

ISBN: 0-448-42421-5

Page Count: 48

Publisher: Grosset & Dunlap

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 2000

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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