Offering less action than its predecessor, this middle episode in a creative yet gentle series is so calm it feels diluted.
Mr. Hu—a tiger guarding the phoenix egg from evildoers—shared his soul with Tom at the end of Book One, but Tom’s shift towards tigerness is slow. Hu, Tom, and their friends leave San Francisco and head underwater to the supposedly safe dragon kingdom. A mysterious “Nameless One” threatens, but Mistral the dragon and Tom defeat it anticlimactically. One friend’s betrayal while Hu lies in a drugged sleep is predictable; more affecting is Tom’s reluctant agreement to truly take over as the egg’s Guardian. Instead of the quotations from ancient Chinese lore Yep first used to form creatures, here he uses descriptions of (real) underwater life. Visuals are colorful but logistics vague.
The third entry promises a huge battle, with Tom becoming more of a tiger; this one on its own is static. (Fantasy. 9-12)Pub Date: Jan. 1, 2005
ISBN: 0-06-001016-9
Page Count: 240
Publisher: HarperCollins
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Dec. 15, 2004
Categories: CHILDREN'S ANIMALS | CHILDREN'S SCIENCE FICTION & FANTASY
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A 10-year old girl learns to adjust to a strange town, makes some fascinating friends, and fills the empty space in her heart thanks to a big old stray dog in this lyrical, moving, and enchanting book by a fresh new voice. India Opal’s mama left when she was only three, and her father, “the preacher,” is absorbed in his own loss and in the work of his new ministry at the Open-Arms Baptist Church of Naomi [Florida]. Enter Winn-Dixie, a dog who “looked like a big piece of old brown carpet that had been left out in the rain.” But, this dog had a grin “so big that it made him sneeze.” And, as Opal says, “It’s hard not to immediately fall in love with a dog who has a good sense of humor.” Because of Winn-Dixie, Opal meets Miss Franny Block, an elderly lady whose papa built her a library of her own when she was just a little girl and she’s been the librarian ever since. Then, there’s nearly blind Gloria Dump, who hangs the empty bottle wreckage of her past from the mistake tree in her back yard. And, Otis, oh yes, Otis, whose music charms the gerbils, rabbits, snakes and lizards he’s let out of their cages in the pet store. Brush strokes of magical realism elevate this beyond a simple story of friendship to a well-crafted tale of community and fellowship, of sweetness, sorrow and hope. And, it’s funny, too. A real gem. (Fiction. 9-12)
Pub Date: March 1, 2000
ISBN: 0-7636-0776-2
Page Count: 182
Publisher: Candlewick
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: April 1, 2000
Categories: CHILDREN'S ANIMALS | CHILDREN'S SOCIAL THEMES
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SEEN & HEARD
A 15-year-old girl in Colombia, doing time in a remote detention center, orchestrates a jail break and tries to get home.
"People say drugs and alcohol are the greatest and most persuasive narcotics—the elements most likely to ruin a life. They're wrong. It's love." As the U.S. recovers from the repeal of the Deferred Action for Childhood Arrivals program, from the misery of separations on the border, from both the idea and the reality of a wall around the United States, Engel's vital story of a divided Colombian family is a book we need to read. Weaving Andean myth and natural symbolism into her narrative—condors signify mating for life, jaguars revenge; the embattled Colombians are "a singed species of birds without feathers who can still fly"; children born in one country and raised in another are "repotted flowers, creatures forced to live in the wrong habitat"—she follows Talia, the youngest child, on a complex journey. Having committed a violent crime not long before she was scheduled to leave her father in Bogotá to join her mother and siblings in New Jersey, she winds up in a horrible Catholic juvie from which she must escape in order to make her plane. Hence the book's wonderful first sentence: "It was her idea to tie up the nun." Talia's cross-country journey is interwoven with the story of her parents' early romance, their migration to the United States, her father's deportation, her grandmother's death, the struggle to reunite. In the latter third of the book, surprising narrative shifts are made to include the voices of Talia's siblings, raised in the U.S. This provides interesting new perspectives, but it is a little awkward to break the fourth wall so late in the book. Attention, TV and movie people: This story is made for the screen.
The rare immigrant chronicle that is as long on hope as it is on heartbreak.Pub Date: March 2, 2021
ISBN: 978-1-982159-46-7
Page Count: 208
Publisher: Avid Reader Press
Review Posted Online: Dec. 15, 2020
Kirkus Reviews Issue: Jan. 1, 2021
Categories: LITERARY FICTION | FAMILY LIFE & FRIENDSHIP
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Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)
Pub Date: March 1, 2001
ISBN: 0-7636-0911-0
Page Count: 128
Publisher: Candlewick
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Feb. 1, 2001
Categories: CHILDREN'S ANIMALS | CHILDREN'S SOCIAL THEMES
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