Binet deserves great kudos for retrieving this fateful, half-forgotten episode, spotlighting Nazi infamy, celebrating its...
The evergreen allure of Nazis as the embodiment of evil is what drives this French author’s soul-stirring work: a hybrid of fact and meta-fiction that won the Prix Goncourt in 2010.
Picture a man being driven to work in an open-top car, taking the same route every day. He is feared and loathed by passersby, yet he has no bodyguard. This is Heydrich in Prague in 1942: the Nazi Protector of Bohemia and Moravia, supremely powerful, supremely vulnerable. He is Binet’s anti-hero. His projected assassination is Binet’s story, and Heydrich’s would-be assassins (Gabcík the Slovak and Kubiš the Czech) are Binet’s heroes. “Two men have to kill a third man.” Simple, no? But the narration is not. Binet’s alter ego narrator is a zealous amateur historian. Like all amateurs, he makes mistakes; disarmingly, he admits them. “I’ve been talking rubbish,” he exclaims. He retracts some of his assertions; he regrets his inadequacy as a historian. Yet in fact he does a good job of putting the assassination in a geopolitical context. He excoriates the spinelessness of the British and French governments in acceding to Hitler’s takeover of Czechoslovakia. He convincingly profiles Heydrich, aka the Blond Beast and the Hangman of Prague. This monster was Himmler’s deputy in the SS (the goofy title refers to the belief that he was also Himmler’s brain) and the principal architect of the Final Solution. The assassination, dubbed Operation Anthropoid, was the brainchild of Beneš, head of the Czech government-in-exile in London. He needed a coup to restore the morale of the Czech anti-Nazis. Gabcík and Kubiš parachute in. The arrival of these modest yet extraordinary patriots is like the first hint of dawn after a pitch-black night. They are embedded with the Czech resistance while they plan tactics. The account of the assassination attempt and its nail-biting aftermath is brilliantly suspenseful.
Binet deserves great kudos for retrieving this fateful, half-forgotten episode, spotlighting Nazi infamy, celebrating its resisters, and delivering the whole with panache.Pub Date: May 1, 2012
ISBN: 978-0-374-16991-6
Page Count: 336
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 15, 2012
Kirkus Reviews Issue: May 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PROFILES
Superbly translated, hypnotically written, a volume that requires and rewards slow, careful reading.
Another haunting mixture of history, memoir, and photo album from the author of The Rings of Saturn (1998) and Vertigo (2000).
Sebald’s fourth novel, like its predecessors, is a melancholy meditation on the dark side of human history. The unnamed narrator recounts the life story of Jacques Austerlitz, a polymath whose erudition, like the author’s, runs the gamut from his chosen field of architectural history to his avocation of zoology. Meeting by chance in the Antwerp railroad station, Austerlitz and the narrator fall easily into a learned conversation about the building itself that gradually leads to a discussion of the history and mysteries of Europe’s fortified cities. A friendship of sorts develops and the two meet from time to time, at first apparently without planning, to continue their chat as if no time had elapsed in between. Gradually, Austerlitz begins to reveal his personal history. In 1939, at the age of five, he was adopted and raised by an austere Welsh cleric and his equally forbidding wife. He knows nothing of his past until he is encouraged to explore history by an inspirational teacher. Eventually, Austerlitz discovers that he is a child of a Jewish couple who vanished in the Holocaust after sending him to England to escape—no surprise to those who are familiar with Sebald’s earlier work. Austerlitz recounts his story in a low-key, slow-moving, but utterly engrossing prose style, with almost no paragraph or chapter breaks, interrupted only by a series of eerie photographs of landscapes, architectural features, and hazily glimpsed faces. The tale is cunningly constructed around internal echoes, phrases repeated many pages apart, whose larger significance can be grasped only on repetition, and a complex, multilayered set of thematic correspondences that cannot be unraveled on a single reading.
Superbly translated, hypnotically written, a volume that requires and rewards slow, careful reading.Pub Date: Oct. 1, 2001
ISBN: 0-375-50483-4
Page Count: 320
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2001
When you’re done binge-watching The Crown, pick up this multifaceted wartime thriller.
During German bombing raids on London during World War II, the young princesses Elizabeth and Margaret are secreted away to Ireland for protection.
Clonmillis Hall has seen better days. A large estate in rural Ireland belonging to the Duke of Edenmore, Clonmillis, by virtue of Ireland’s neutrality in the war, feels a world away from the bombs raining down on England. But during a secret meeting in Dublin, arrangements are made: King George’s two young daughters need to be kept safe during the Blitz, and remote Ireland seems the perfect place. The result is a series of domestic and professional frictions of nationality, class, religion, and gender. There is Dick Lascelles, the louche, charismatic diplomat in charge of the arrangements. Detective Garda Strafford, whose Anglo-Irish background sets him somewhat apart from his countrymen, oversees the estate’s security. Special Agent Celia Nashe, posing as a governess, is caught between her professional duties and being a surrogate caretaker to the serious elder princess, code-named “Ellen,” and the fiery younger girl, “Mary.” There is the irascible Duke and his household staff, who have varying levels of knowledge of the plot, and then there are those outside the estate who would seek to undermine the safety of everyone on it. Black (the pen name of Booker Prize–winning novelist John Banville) continues his storied career in the same vein as his most recent novel, Wolf on a String (2017), a historical mystery set in Prague, though his return here to his native Ireland is a welcome one. As ever, Black’s gifts of rich description and deft characterization are on display, and if the first half of the novel is more leisurely than a typical political thriller, its second half positively gallops.
When you’re done binge-watching The Crown, pick up this multifaceted wartime thriller.Pub Date: Jan. 14, 2020
ISBN: 978-1-250-13301-4
Page Count: 304
Publisher: Henry Holt
Review Posted Online: Sept. 29, 2019
Kirkus Reviews Issue: Oct. 15, 2019
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