That venerable elephant returns in another classically plotless but curiously appealing outing, this time to the new art museum of Celesteville (modeled on the Musée d’Orsay). Babar and the gang spend the day gazing at the vast art collection he has amassed and now made available to all: works by the Old—and New—Masters that substitute elephants for the familiar human figures. In this, it bears a superficial resemblance to Anthony Browne’s Willy’s Pictures (2000), but where that work invited the audience into the paintings and encouraged individual reflection, this serves a more pedagogical end. Wise Celeste invites the children to respond to the art—“I like the dog!” Flora exclaims of an elephantized van Eyck—while pompous Cornelius attempts to expound upon symbolism and goes ignored. As a primer for both parents and children on how to manage a family visit to an art museum, it cheerily offers both good and bad examples to follow and avoid; as a deeper invitation to encounter art, it barely serves as an introduction. (Picture book. 4-8)
Pub Date: Sept. 1, 2003
ISBN: 0-8109-4597-5
Page Count: 48
Publisher: Abrams
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2003
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Bat (a pipistrelle) wakes up, flies out into the night to eat, and returns home to feed her young. The narrative, in large type, gives much of the information about bats in a voice that can work as a read-aloud (“Gliding and fluttering back and forth, she shouts her torch of sound among the trees, listening for her supper”), while smaller type on some pages elaborates (“Using sound to find your way like this is called echolocation”). The watercolor-and-pencil illustrations, in browns and blues, hint of night, without being too dark. Close-up views of plants and animals show detail, while wider sweeping landscapes give context and a sense of space. The details of Bat’s fur and face do justice to this mammal, which many young kids may still think of as “gross.” This is useful as a very first introduction to bats, but readers will need to go farther to answer some questions (like what kinds of bats do eat “fruit, fish, frogs, even blood!”). And while there is an index of 15 terms, there is no bibliography. Nevertheless, this is a beautifully designed and thoughtfully executed informational storybook. (Picture book/nonfiction. 4-7)
Pub Date: Sept. 1, 2001
ISBN: 0-7636-1202-2
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2001
Typically elegant and entirely satisfying. Which describes the book as well
When Gerald the elephant and Piggie decide to go for a drive, they find that all the planning in the world can’t replace one crucial ingredient.
“Let’s go for a drive!” proposes Gerald; “That sounds fun!” agrees Piggie. “Drive! Drive! Drivey-drive-drive!” they chorus. Gerald, a touch on the OCD side, insists on a plan that includes a number of items: map, sunglasses, umbrellas, bags and, as there will be “a lot of driving on [their] drive,” a car. Oops. Piggie doesn’t have one; “[a] pig with a car would be silly.” Neither does Gerald. Whatever will they do? The dauntless duo’s 18th outing employs Willems’ award-winning formula: color-coded speech bubbles; lots of white space; endearing visual characterization (Gerald’s emotional journey as he realizes the tragedy a-borning is hysterical); effortless phonetic play; thoughtfully designed endpapers; silliness. The pair’s refrain incorporates each new element to Gerald’s plan in a way that is both classically childlike and slyly pedagogical. After “Map! Map! Mappy-map-map!” children will enjoy anticipating how sunglasses, umbrellas and bags will fit into that pattern—and likely start playing with other words as well. Gerald and Piggie’s solution?
Typically elegant and entirely satisfying. Which describes the book as well . (Early reader. 4-8)Pub Date: Oct. 2, 2012
ISBN: 978-1-4231-6482-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Sept. 14, 2012
Kirkus Reviews Issue: Oct. 1, 2012
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