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BLACK, WHITE, COLORED

THE HIDDEN STORY OF AN INSURRECTION, A FAMILY, A SOUTHERN TOWN, AND IDENTITY IN AMERICA

A personal exploration of two centuries of family, community, and identity in the South.

A tribute to a larger-than-life father that sheds light on race, identity, and American history.

Mother and daughter Lauretta Malloy Noble and LeeAnét Noble honor the life of Lauretta’s father, Lawrence Edward Malloy Sr., a man who “embraced his Blackness as a badge of honor” and regaled his daughter, and most people he encountered, with stories of his family’s life in Laurinburg, North Carolina. After his death, the Nobles set out to learn more about the family and the town that loomed so large in Malloy’s life. Their work is at once personal and political: “Stories about towns like Laurinburg fill in the deliberate gaps in Black history. They live in between the lines and references, taking space solely in the hearts and minds of our elders.” The Malloy family experience is interwoven with aspects of U.S. history that many Americans would prefer to ignore, including the horrific violence perpetrated by the Red Shirts (a white supremacist organization) and systemic efforts to eliminate political and economic gains made during Reconstruction. The Nobles balance this history with accounts of the resilience of their family and other Laurinburg community members, “the people who triumphed amid chaos, who found ways to fight through generations by planting seeds that would continue to grow after they passed away. Now, more than ever before, we need to see a path to reinvent, to persevere, and to heal.” Such perseverance is apparent in the 1904 founding of the Laurinburg Institute, “the first Black boarding school in the United States” that “was responsible for the education of jazz musician Dizzy Gillespie, the families of director Spike Lee and actor Danny Glover,” among others. The historical context, which includes quotations from general interest websites, can be stilted, but the prose shines brightly in the more personal passages, particularly those recounting the sights and sounds of Malloy family gatherings.

A personal exploration of two centuries of family, community, and identity in the South.

Pub Date: Nov. 18, 2025

ISBN: 9780063352223

Page Count: 256

Publisher: Amistad/HarperCollins

Review Posted Online: Aug. 23, 2025

Kirkus Reviews Issue: Oct. 1, 2025

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Readers Vote
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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


  • IndieBound Bestseller


  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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