A haunting and poignant reflection on grief, spirituality, and the loving bonds that provide guidance and sustenance.
Folk offers a complex novel that gradually reveals the individual and intertwined stories of several women.
Fifteen-year-old Samantha, in first-person narration, begins this mystical, often ethereal, tale about relationships in 1986, the final year of the novel’s chronology. As the book opens, she and her mother, Mira, are visiting her mom’s younger sister, Etta—the eponymous Aphrodite. Etta gives Sam a blank journal to help her sort out her feelings of teenage angst; however, much of her writing will be about her intriguing aunt. Mira is the more traditional of the two sisters, while Etta is the almost-free spirit who defies convention. She’s now living with Patrick, an artist who considers her his “muse.” After years of distress over Etta’s free lifestyle, Mira has finally come to accept her sister for who she is. But there is more sorrow to come: Mira, who’s still mourning the death of her mother, is about to experience another devastating loss. The narrative undertakes a back-and-forth jog through the previous two decades. Third-person narration, which alternates with Samantha’s voice, fills in the early years of Etta’s back story, beginning in 1968 and running through the 1970s. Leaping forward again to 1986, readers meet Mira and Sam’s neighbor, Joan, whose teenage daughter, Elise, disappeared 10 years ago; Joan tells Sam that Elise usually visits in the spring, and readers learn through Joan’s and Elise’s back stories that these visits are spiritual apparitions. Folk, the author of Totem Beasts (2017), peppers her artfully composed story with religious and mythological references. The coastal Massachusetts setting effectively frames one of her themes: the mystery, majesty, and inspirational magic of the sea and its creatures. The frequent switching of time frames and back stories is structurally interesting, even if it also adversely affects the pacing of the narrative. In the end, however, what at first appear to be separate tales coalesce, and it’s revealed that it is young Samantha who, through her words and art, will carry forward the legacy of Etta—“the goddess we’ve left behind.”
A haunting and poignant reflection on grief, spirituality, and the loving bonds that provide guidance and sustenance.Pub Date: April 14, 2020
ISBN: 978-1-59954-150-1
Page Count: 214
Publisher: Bordighera Press
Review Posted Online: Oct. 27, 2020
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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