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MONSTER BOOGIE

This book is clearly designed for singing, dancing, and messy crafting. It’s the best and most convivial way to experience...

With the creak of a door, a big purple monster makes its entrance and derails a perfectly good bedtime.

With big purple eyes and sharp green teeth, the monster announces to its young charges that it is the biggest monster that they’ve ever seen. But instead of gobbling them up, it turns on the radio, brings on the brightness, and proceeds to entertain the two brown children. “Everybody does the monster boogie,” after all, and the young girl mimics all of the monster’s moves while the skeptical boy taps his foot. With the spotlight on the young boy, the monster encourages both him and readers with, “So can you!” And with closed eyes and his teddy at his side, the boy begins to boogie. With amazing convenience, selected arts-and-crafts materials appear, and the children transform themselves into monsters as the big purple monster juggles all of the furniture in the room—beds, dresser, suitcase, radio, and all. Soon the room is an explosion of Day-Glo colors, filled with children and monsters jamming out. With a click of the lights and the wink of an eye, the party is over—alas, bedtime resumes. The story is written in rhythmic verse so it is impossible to read without singing…of course, you could, but what would be the fun of that?

This book is clearly designed for singing, dancing, and messy crafting. It’s the best and most convivial way to experience it. (Picture book. 3-7)

Pub Date: July 24, 2018

ISBN: 978-1-4814-6465-9

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: March 17, 2018

Kirkus Reviews Issue: April 1, 2018

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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CHICKA CHICKA TRICKA TREAT

From the Chicka Chicka Book series

A bit predictable but pleasantly illustrated.

Bill Martin Jr and John Archambault’s classic alphabet book Chicka Chicka Boom Boom (1989) gets the Halloween treatment.

Chung follows the original formula to the letter. In alphabetical order, each letter climbs to the top of a tree. They are knocked back to the ground in a jumble before climbing up in sequence again. In homage to the spooky holiday theme, they scale a “creaky old tree,” and a ghostly jump scare causes the pileup. The chunky, colorful art is instantly recognizable. The charmingly costumed letters (“H swings a tail. / I wears a patch. J and K don / bows that don’t match”) are set against a dark backdrop, framed by pages with orange or purple borders. The spreads feature spiderwebs and jack-o’-lanterns. The familiar rhyme cadence is marred by the occasional clunky or awkward phrase; in particular, the adapted refrain of “Chicka chicka tricka treat” offers tongue-twisting fun, but it’s repeatedly followed by the disappointing half-rhyme “Everybody sneaka sneak.” Even this odd construction feels shoehorned into place, since “sneaking” makes little sense when every character in the book is climbing together. The final line of the book ends on a more satisfying note, with “Everybody—time to eat!”

A bit predictable but pleasantly illustrated. (Picture book. 3-7)

Pub Date: July 15, 2025

ISBN: 9781665954785

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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