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TWINSHIP

Another mad fantasy by Foos (Portrait of the Walrus by a Young Artist, 1997, etc.), who here imagines the complications attending the birth of the first human clone. You might think that the absence of fathers would simplify things considerably down at Family Court. Think again. Maxi Dublin, in her mid-30s, got the idea that she would like to be a mother before it was too late. A cat breeder, Maxi is unmarried and likely to remain so for the foreseeable future, but her assistant Jerry is young and virile—if gay—and seems capable of being seduced, so Maxi has him over for dinner one night. Things don—t go exactly as planned, but nevertheless Maxi soon discovers that something is growing in her womb, and in due course she delivers a healthy baby girl. Jerry, however, isn—t the father. In fact, no one is: the baby is a clone of Maxi, the first successful human clone in history. Suddenly Maxi and her baby Middle are at the center of a media whirlwind, with scientists, philosophers, and politicians from every corner of the globe demanding to know how Maxi did it and whether she should be feted or condemned. Maxi’s mother Minnie steps in, too, claiming that the baby is rightfully hers: Since Middle is Maxie’s clone (i.e., since she’s identical to Maxie), she’s actually Minnie’s daughter. Got that? The legal claim is pretty thin, but this is a new field, after all. So Minnie takes matters into her own hands and kidnaps the baby. Suddenly the HMOs, eager to learn how to clone people, join the fray: Unless the baby’s returned and offered for medical examination, all coverage will be dropped nationwide. Poor Maxi. She just wants her baby/self back, so they can live a normal life together. As if there was ever half a chance in the first place. Funny and sharp, though a bit labored in its own sense of relevance and lacking the light touch of Foos’s earlier romps.

Pub Date: Sept. 1, 1999

ISBN: 0-15-100417-X

Page Count: 272

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1999

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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