by Laurie Garrett ‧ RELEASE DATE: Oct. 1, 1994
One does not like to apply the phrase too often in a book review, but here is a volume that should be required reading for...
Garrett, Newsday and former National Public Radio reporter, has written an excellent encyclopedic history—and jeremiad—of man versus microbe in the last decades of the century.
"California School Becomes Notorious for Epidemic of TB.'' "In a Panic, Rwandans Die in Stampede.'' No book about to be launched in 1994 could ask for better confirmation of its somber thesis than the front-page headlines in a recent edition of the New York Times. Only a few years ago science was celebrating an end to plagues and an extended life span, but now it appears that we are losing the battle against infectious illness. Microbes mutate as fast as companies synthesize new drugs to combat them. Jet travel, the sexual revolution, and overpopulation are just a few of the whole-earth changes that favor the survival of old and new bugs. In chapter by chilling chapter, Garrett recounts the stories of deaths from Machupo, Lassa, and Ebola diseases—viral infections decimating small villages in South America and Africa. In the best tradition of Berton Rouech, each account is a dramatic narrative with heroes and heroines: the doctors and epidemiologists who round up the usual suspects (rats, mice, bugs) to come up with answers. Modernity brings ironic twists—reused syringes, recycled air conditioning—to amplify infection. But the ultimate compounding factor is a "Thirdworldization,'' an ugly coinage to describe an ugly situation in which the inhabitants of poor nations are malnourished, displaced, terrorized, demoralized, e.g., Rwanda. Garrett chronicles AIDS, the spread of antibiotic-resistant TB and malaria, Legionnaire's disease, last year's re-emergence of Hanta viruses among the Navajo, along with chapters on microbial genetics and resistance. Prejudice and politics are given their due from clearly liberal Garrett, and a glimmer of a solution comes in the form of eternal vigilance and surveillance.
One does not like to apply the phrase too often in a book review, but here is a volume that should be required reading for policy makers and health professionals.Pub Date: Oct. 1, 1994
ISBN: 0-374-12646-1
Page Count: 784
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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