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CRAVE

SOJOURN OF A HUNGRY SOUL

A bold, honest, and courageous memoir.

A young black woman’s searing debut memoir about growing up poor and facing the challenges of both physical and emotional hunger.

Cannady knew what it was like to be hungry even before she was born: “Food was a scarcity in my Momma’s womb, my first home.” Her mother, Lois, was still a teenager when the author was born and had already experienced rape at the hands of her first baby’s father. Cannady’s father, Carl, was the second man in Lois’ life, and until Lois gave birth, he seemed to offer hope for a brighter future. But the longer the author’s mother stayed with him, the more abusive and parasitic he became, hitting Lois and feeding off the little money she received from welfare. The first significant male figure to enter Cannady's life after Carl was Pee Wee, who helped make the family’s hunger disappear. But his contributions to the household came at a cost. Until Pee Wee was arrested for pedophilia, he sexually abused Cannady and threatened to kill Lois if Cannady ever told her the truth. Other men entered and left the family’s life and brought temporary security and nourishment with them. Yet inevitably, they all became unreliable and/or violent. This instability, combined with Cannady’s early experience with sexual victimization, led her into the arms of boys and men who were just as damaged as she was. However, the great tragedy was that these boyfriends genuinely wanted to care for Cannady before they succumbed to their own brutal conditioning. Throughout this at-times painful narrative, the author also celebrates the strength of her bonds among the members of her family and especially with her mother. These bonds offered her the sustenance she needed to become a woman whose hunger to escape the cycle of abuse eventually trumped dysfunction and chaos and put her on a road to a better life.

A bold, honest, and courageous memoir.

Pub Date: Nov. 10, 2015

ISBN: 978-0-9897532-9-6

Page Count: 368

Publisher: Etruscan Press

Review Posted Online: Aug. 8, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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