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A DARKER PLACE

Eighteen years after losing her husband and daughter to a mass suicide in a Texas cult, an expert on religious sects agrees to goes undercover one more time to infiltrate a particularly insidious community. Prof. Anne Waverly seems a natural for the assignment. Her knowledge of the relations between contemporary modes of spiritual expression and such historic sects as the early Christians is second to none. Since taking a teaching post at Duncan Point University, she’s already taken academic leave four times to infiltrate similar cults, saving the lives of children who otherwise might have become hostages or fatalities. And she has a long working relationship with FBI agent Glen McCarthy. In her own way, though, Anne is as painfully driven as any modern messiah. She’s racked with guilt over having abandoned her family, and perhaps precipitated the panic that took their lives, by her departure from that Texas cult so long ago. Her undercover work, taken on as a penance for her losses, has aged her and sapped her strength, and her intermittently scalding love/hate affair with McCarthy has left her exhausted. The moment she makes contact with the first members of the Sedona, Arizona, branch of the Change—especially with teenaged artist/basketball player Jason Delgado and his younger sister Dulcie—Anne’s strengths and weaknesses collide with the force of a supernova. More than half in love with the boy-man Jason and suffocatingly unable to deal with Dulcie without seeing a twin of her dead daughter, she rises swiftly through the ranks into spiritual leader Steven Change’s confidence—and thence to a dangerous posting at the British branch of the Change, far beyond her promised support and her sense of her competence. King, whose Sherlock Holmes pastiches (The Moor, 1998, etc.) make it clear that she never takes up a familiar form without making it her own, produces an undercover thriller notable for its intensity, its psychological nuance, and its avoidance of the most obvious action-movie clichÇ’s of the genre. (Author tour)

Pub Date: Feb. 9, 1999

ISBN: 0-553-10711-9

Page Count: 400

Publisher: Bantam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1999

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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DISCLAIMER

An addictive psychological thriller.

When a mysterious novel appears on her bedside table, a successful documentary filmmaker finds herself face to face with a secret that threatens to unravel life as she knows it.

Catherine Ravenscroft has built a dream life, or close to it: the devoted husband, the house in London, the award-winning career as a documentary filmmaker. And though she’s never quite bonded with her 25-year-old son the way she’d hoped, he’s doing fine—there are worse things than being an electronics salesman. But when she stumbles across a sinister novel called The Perfect Stranger—no one’s quite sure how it came into the house—Catherine sees herself in its pages, living out scenes from her past she’d hoped to forget. It’s a threat—but from whom? And why now, 20 years after the fact? Meanwhile, Stephen Brigstocke, a retired teacher, widowed and in pain, is desperate to exact revenge on Catherine and make her pay for what happened all those years ago. The story is told in alternating chapters, Catherine's in the third-person and Stephen's in the first, as the two orbit each other, predator and prey, and the novel moves between the past and the present to paint a portrait of two troubled families with trauma bubbling under the surface. As their lives become increasingly entangled, Stephen’s obsession grows, Catherine’s world crumbles, and it becomes clear that—in true thriller form—everything may not be as it seems. But how much destruction must be wrought before the truth comes out? And when it does, will there be anything left to salvage? While the long buildup to the big reveal begins to drag, Knight’s elegant plot and compelling (if not unexpected) characters keep the heart of the novel beating even when the pacing falters. Atmospheric and twisting and ripe for TV adaptation, this debut novel never strays far from convention, but that doesn’t make it any less of a page-turner.

An addictive psychological thriller.

Pub Date: May 19, 2015

ISBN: 978-0-06-236225-4

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: March 1, 2015

Kirkus Reviews Issue: March 15, 2015

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