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DEAD RECKONING

An inventive, multifaceted historical narrative that delivers haunting imagery of life during wartime.

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British, Italian, and German characters affect one another’s lives in surprising ways in Battersby’s historical novel set before, during, and after World War II.

In 1933, British Master Mariner Edgar Moulton and his wife Lily arrive in London from Devon to visit the ‘epicentre of Edgar’s universe’: the London Naval Museum. Across town, the vivacious British-born Florence Lantieri is finalizing her divorce amid her active social life revolving around the La Società club, dedicated to Italian culture. It’s there that she met a fiery, young Italian man named Fortunato Picchi, who’s motivated her to not be a “tragic” woman, “rotting on the vine.” Fortunato, an ardent anti-fascist, works at the local Savoy Hotel, where three Germans from Leipzig—Ingeborg, Günter, and Bert—have checked in; they’ve come to visit their dear friend, Friedrich, a Jewish medical student who fled Germany and now picks potatoes in the English countryside; he’s also a friend of Edgar and Lily. The various characters’ lives intersect through pure chance, as when Fortunato steps in to stop a vicious attack on Ingeborg and Friedrich by local thugs. Years later, as Europe is ripped apart by war, Edgar is captain of a requisitioned ship, the Arandora Star, while Fortunato and Friedrich are in two different British internment camps on the Isle of Man. Meanwhile, beneath the ocean, Günter and Bert helm German U-boats set to destroy everything in their path. Once again, fate slowly pushes these people’s lives together in sometimes-shocking ways.

In this novel inspired by real events, Battersby constructs what he calls “a work of empathetic imagination.” With each character, the author takes great care to flesh out wholly different worlds and points of view; he weaves rich details about each character throughout the chapters, and readers will find it satisfying to see them connect, much like puzzle pieces clicking into place. This kaleidoscopic narration is a clever way to keep the narrative exposition engaging. However, it can also produce some frustrating results: The sudden time jumps, particularly involving Fortunato and the British internment camps, may have some readers wondering what they missed (either in this book or in history class). Battersby’s narration is most powerful when it focuses on how violence and its effects can become mundane, as when Edgar finds himself dealing with the logistical frustrations of dividing up different groups of refugees on his ship; Friedrich despairs at how to console a woman who’s lost not only her entire family, but also her country; and ships sink into the sea in spectacular moments of chaos that quickly settle, leaving behind only calm pools of oil on the water,“as though the ocean wished to silence the moans of several dismembered engineers.” By the time the story has reached the postwar period, the stories of Battersby’s characters offer a wide-ranging tableau of the war, from the emergence of subtle signs of fascism to horrific atrocities and back to an uneasy normal, showing how each change affects each person differently.

An inventive, multifaceted historical narrative that delivers haunting imagery of life during wartime.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: July 18, 2024

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TWICE

Have tissues ready as you read this. A small package will do.

A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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THE ACADEMY

A boarding-school fantasia, with Hilderbrand’s signature upgrades to the cuisine and decor. Sign us up for next term.

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A year in the life of the No. 2 boarding school in America—up from No. 19 last year!

Rumors of Hilderbrand’s retirement were greatly exaggerated, it turns out, since not only has she not gone out to pasture, she’s started over in high school, with her daughter Shelby Cunningham as co-author. As their delicious new book opens, it’s Move-In Day at Tiffin Academy, and Head of School Audre Robinson is warmly welcoming the returning and new students to the New England campus, the latter group including a rare midstream addition to the junior class. Brainiac Charley Hicks is transferring from public school in Maryland to a spot that opened up when one of the school’s most beloved students died by suicide the preceding year. She will be joining a large, diverse cast of adult and teenage characters—queen bees, jealous second-stringers, boozehounds young and old, secret lesbians, people chasing the wrong people chasing other wrong people—all of them royally screwed when an app called Zip Zap appears and starts blasting everyone’s secrets all over campus. How the heck…? Meanwhile, it seems so unlikely that Tiffin has jumped up to the No. 2 spot in the boarding-school rankings that a high-profile magazine launches an investigation, and even the head is worried that there may have been payola involved. The school has a reputation for being more social than academic, and this quality gets an exciting new exclamation point when the resident millionaire bad boy opens a high-style secret speakeasy for select juniors in a forgotten basement. It’s called Priorities. Exactly. One problem: Cinnamon Peters’ mysterious suicide hangs over the book in an odd way, especially since the note she left for her closest male friend is not to be opened for another year—and isn’t. This is surely a setup for a sequel, but it’s a bit frustrating here, and bobs sort of shallowly along amid the general high spirits.

A boarding-school fantasia, with Hilderbrand’s signature upgrades to the cuisine and decor. Sign us up for next term.

Pub Date: Sept. 16, 2025

ISBN: 9780316567855

Page Count: 432

Publisher: Little, Brown

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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