by Lawrence Battersby ‧ RELEASE DATE: N/A
An inventive, multifaceted historical narrative that delivers haunting imagery of life during wartime.
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British, Italian, and German characters affect one another’s lives in surprising ways in Battersby’s historical novel set before, during, and after World War II.
In 1933, British Master Mariner Edgar Moulton and his wife Lily arrive in London from Devon to visit the ‘epicentre of Edgar’s universe’: the London Naval Museum. Across town, the vivacious British-born Florence Lantieri is finalizing her divorce amid her active social life revolving around the La Società club, dedicated to Italian culture. It’s there that she met a fiery, young Italian man named Fortunato Picchi, who’s motivated her to not be a “tragic” woman, “rotting on the vine.” Fortunato, an ardent anti-fascist, works at the local Savoy Hotel, where three Germans from Leipzig—Ingeborg, Günter, and Bert—have checked in; they’ve come to visit their dear friend, Friedrich, a Jewish medical student who fled Germany and now picks potatoes in the English countryside; he’s also a friend of Edgar and Lily. The various characters’ lives intersect through pure chance, as when Fortunato steps in to stop a vicious attack on Ingeborg and Friedrich by local thugs. Years later, as Europe is ripped apart by war, Edgar is captain of a requisitioned ship, the Arandora Star, while Fortunato and Friedrich are in two different British internment camps on the Isle of Man. Meanwhile, beneath the ocean, Günter and Bert helm German U-boats set to destroy everything in their path. Once again, fate slowly pushes these people’s lives together in sometimes-shocking ways.
In this novel inspired by real events, Battersby constructs what he calls “a work of empathetic imagination.” With each character, the author takes great care to flesh out wholly different worlds and points of view; he weaves rich details about each character throughout the chapters, and readers will find it satisfying to see them connect, much like puzzle pieces clicking into place. This kaleidoscopic narration is a clever way to keep the narrative exposition engaging. However, it can also produce some frustrating results: The sudden time jumps, particularly involving Fortunato and the British internment camps, may have some readers wondering what they missed (either in this book or in history class). Battersby’s narration is most powerful when it focuses on how violence and its effects can become mundane, as when Edgar finds himself dealing with the logistical frustrations of dividing up different groups of refugees on his ship; Friedrich despairs at how to console a woman who’s lost not only her entire family, but also her country; and ships sink into the sea in spectacular moments of chaos that quickly settle, leaving behind only calm pools of oil on the water,“as though the ocean wished to silence the moans of several dismembered engineers.” By the time the story has reached the postwar period, the stories of Battersby’s characters offer a wide-ranging tableau of the war, from the emergence of subtle signs of fascism to horrific atrocities and back to an uneasy normal, showing how each change affects each person differently.
An inventive, multifaceted historical narrative that delivers haunting imagery of life during wartime.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: July 18, 2024
Review Program: Kirkus Indie
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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