This worthwhile read brings a little-known tragedy to vivid life.
A debut historical novel set in 19th-century Spain offers a trove of philosophical, social, and political clashes.
On April, 18, 1886, Cayetano Galeote Cotilla, a defrocked priest, shot and killed the bishop of Madrid in front of hundreds of witnesses. The murderer and the crime are real, and Battersby’s tale revolves around the punishment for the deed. Will Cayetano live or die? Enter two protagonists, also historical figures. One is the novelist Benito Pérez Galdós, “the most famous Spanish writer whom many English-speaking readers may not know by name or reputation.” The other is the eminent alienist (as psychiatrists were then called) Luis Simarro. Benito and Luis are former friends. Luis is a scientist with a special interest in the care of the mentally ill, called at the time degenerates. He is also a determinist. Benito is a fierce humanist, a believer in free will. Luis is convinced that Cayetano is mad, a degenerate born of a family with a sketchy genetic history. Benito wants to show that Cayetano is rational even though a finding of insanity might save his life. Cayetano is sentenced to death, but the judgment is later overturned. The real point of the engrossing story is the intrigue that is hinted at throughout. The political situation in Spain pervades everything and affects the outcome of the trial. The cast includes leaders of the Roman Catholic Church, the Royalists, the revolutionary Progressives, and others. Alliances are formed for convenience and broken for the same reason. Fortunes are ever shifting, mistrust abounds, and the country is weary. In the end, it is Benito who becomes Battersby’s intuitive hero, holding humane values and puzzling things out. Luis is deftly portrayed as a good man, but his research brings him to the brink of eugenics, the scariest of 19th-century pseudo-sciences. The author’s enthusiasm—and proselytizing—for Galdós’ books is touching and admirable (Maximiliano Rubín is one of the Spanish novelist’s characters). And Battersby’s rich details will transport readers to the turbulent era of his complex protagonists.
This worthwhile read brings a little-known tragedy to vivid life.Pub Date: March 5, 2020
ISBN: 978-1-913332-00-6
Page Count: -
Publisher: Tre Cappelli Editions
Review Posted Online: March 5, 2020
Kirkus Reviews Issue: April 15, 2020
Review Program: Kirkus Indie
An engaging, imaginative narrative hampered by its lack of subtlety.
The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.
In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.
An engaging, imaginative narrative hampered by its lack of subtlety.Pub Date: Nov. 18, 2025
ISBN: 9780593733769
Page Count: 336
Publisher: Random House
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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