A successful blending of text and image that results in engaging storytelling.
A middle schooler struggles to handle changes in his life.
As much as Lonnie loves living with his mom and sister, he misses his dad. Since his parents’ divorce, Lonnie primarily spends time with Dad when he picks Lonnie up from school. Although he’s embarrassed about the split, he’s unable to share his feelings—even when his parents ask him how he’s doing—until he can’t hold everything in anymore. After getting in trouble at school, Lonnie finally reveals how much he wants life to go back to the way it was, but he still ends up in detention for getting back at a kid who mocked him for having divorced parents. Gradually Lonnie uses his time with Dad to be more open about his feelings and sexuality; he also expresses enthusiasm for comics and finds common ground with his father. When his parents mutually decide on family therapy, Lonnie is initially anxious but ultimately grows into healthier relationships and self-expression. The graphic novel format, with its clean backgrounds and bright colors, effectively conveys the variety of emotions the family members experience, and the many wordless panels propel the story forward. Time spent with various configurations of the family riding in cars together nicely captures their dynamics (particularly the father-and-son tensions); with the characters facing forward in their seats, Lindell can highlight their expressions. Lonnie and his family are Black.
A successful blending of text and image that results in engaging storytelling. (Graphic fiction. 8-12)Pub Date: Aug. 27, 2024
ISBN: 9780593479797
Page Count: 240
Publisher: Random House Graphic
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
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