Having recounted the mechanics of the big picture in A Universe from Nothing (2012), theoretical physicist Krauss (Director, Origins Project/Arizona State Univ.) delivers a companion volume that fills in the little—often very little—stuff.
Throughout human history, all cultures explained, usually incorrectly, the cosmos, our visible world, and man itself, but, as the author writes, “humanity took a major step toward modernity when it dawned on our ancestors’ consciousness that there is more to the universe than meets the eye.” From electromagnetism and the concept of space-time, which makes sense, to the minuscule quantum world, which doesn’t, these are not in short supply. Although no true believer, Krauss launches with “in the beginning there was light” but adds that gravity deserves equal billing before proceeding with a rich, definitely not-dumbed-down history of physics. Newton and Galileo revealed how things moved, but no individual achievement is likely to surpass Einstein’s; he improved the picture with a spectacular unification of space, time, and gravity. Krauss slows after the period around 1920, when quantum mechanics revealed new, confusing phenomena, and matters have not improved much since, as physicists struggle, with varying success, to explain an oddball collection of particles and forces, culminating in the discovery of the Higgs particle by the most complicated machine every built, the Large Hadron Collider. This revealed that physicists were more or less on the right track but faced plenty of unanswered questions. Krauss has never been one to reduce science to a Nova-style magic show, so readers will need to maintain close attention to properly absorb his explanations of concepts such as the weak force, Higgs field, and symmetry breaking.
An admirable complement to the author’s previous book and equally satisfying for those willing to read carefully.Pub Date: March 21, 2017
ISBN: 978-1-4767-7761-0
Page Count: 336
Publisher: Atria
Review Posted Online: Dec. 7, 2016
Kirkus Reviews Issue: Dec. 15, 2016
Categories: SCIENCE & TECHNOLOGY
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Yes: it's high time for a de-romanticized, de-mythified, close-up retelling of the U.S. Space Program's launching—the inside story of those first seven astronauts.
But no: jazzy, jivey, exclamation-pointed, italicized Tom Wolfe "Mr. Overkill" hasn't really got the fight stuff for the job. Admittedly, he covers all the ground. He begins with the competitive, macho world of test pilots from which the astronauts came (thus being grossly overqualified to just sit in a controlled capsule); he follows the choosing of the Seven, the preparations for space flight, the flights themselves, the feelings of the wives; and he presents the breathless press coverage, the sudden celebrity, the glorification. He even throws in some of the technology. But instead of replacing the heroic standard version with the ring of truth, Wolfe merely offers an alternative myth: a surreal, satiric, often cartoony Wolfe-arama that, especially since there isn't a bit of documentation along the way, has one constantly wondering if anything really happened the way Wolfe tells it. His astronauts (referred to as "the brethren" or "The True Brothers") are obsessed with having the "right stuff" that certain blend of guts and smarts that spells pilot success. The Press is a ravenous fool, always referred to as "the eternal Victorian Gent": when Walter Cronkite's voice breaks while reporting a possible astronaut death, "There was the Press the Genteel Gent, coming up with the appropriate emotion. . . live. . . with no prompting whatsoever!" And, most off-puttingly, Wolfe presumes to enter the minds of one and all: he's with near-drowing Gus Grissom ("Cox. . . That face up there!—it's Cox. . . Cox knew how to get people out of here! . . . Cox! . . ."); he's with Betty Grissom angry about not staying at Holiday Inn ("Now. . . they truly owed her"); and, in a crude hatchet-job, he's with John Glenn furious at Al Shepard's being chosen for the first flight, pontificating to the others about their licentious behavior, or holding onto his self-image during his flight ("Oh, yes! I've been here before! And I am immune! I don't get into corners I can't get out of! . . . The Presbyterian Pilot was not about to foul up. His pipeline to dear Lord could not be clearer"). Certainly there's much here that Wolfe is quite right about, much that people will be interested in hearing: the P-R whitewash of Grissom's foul-up, the Life magazine excesses, the inter-astronaut tensions. And, for those who want to give Wolfe the benefit of the doubt throughout, there are emotional reconstructions that are juicily shrill.
But most readers outside the slick urban Wolfe orbit will find credibility fatally undermined by the self-indulgent digressions, the stylistic excesses, and the broadly satiric, anti-All-American stance; and, though The Right Stuff has enough energy, sass, and dirt to attract an audience, it mostly suggests that until Wolfe can put his subject first and his preening writing-persona second, he probably won't be a convincing chronicler of anything much weightier than radical chic.
Pub Date: Sept. 24, 1979
ISBN: 0312427565
Page Count: 370
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 13, 2011
Kirkus Reviews Issue: Sept. 1, 1979
Categories: SCIENCE & TECHNOLOGY
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BOOK TO SCREEN
Jahren transcends both memoir and science writing in this literary fusion of both genres.
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Award-winning scientist Jahren (Geology and Geophysics/Univ. of Hawaii) delivers a personal memoir and a paean to the natural world.
The author’s father was a physics and earth science teacher who encouraged her play in the laboratory, and her mother was a student of English literature who nurtured her love of reading. Both of these early influences engrossingly combine in this adroit story of a dedication to science. Jahren’s journey from struggling student to struggling scientist has the narrative tension of a novel and characters she imbues with real depth. The heroes in this tale are the plants that the author studies, and throughout, she employs her facility with words to engage her readers. We learn much along the way—e.g., how the willow tree clones itself, the courage of a seed’s first root, the symbiotic relationship between trees and fungi, and the airborne signals used by trees in their ongoing war against insects. Trees are of key interest to Jahren, and at times she waxes poetic: “Each beginning is the end of a waiting. We are each given exactly one chance to be. Each of us is both impossible and inevitable. Every replete tree was first a seed that waited.” The author draws many parallels between her subjects and herself. This is her story, after all, and we are engaged beyond expectation as she relates her struggle in building and running laboratory after laboratory at the universities that have employed her. Present throughout is her lab partner, a disaffected genius named Bill, whom she recruited when she was a graduate student at Berkeley and with whom she’s worked ever since. The author’s tenacity, hope, and gratitude are all evident as she and Bill chase the sweetness of discovery in the face of the harsh economic realities of the research scientist.
Jahren transcends both memoir and science writing in this literary fusion of both genres.Pub Date: April 5, 2016
ISBN: 978-1-101-87493-6
Page Count: 336
Publisher: Knopf
Review Posted Online: Jan. 5, 2016
Kirkus Reviews Issue: Jan. 15, 2016
Categories: BIOGRAPHY & MEMOIR | NATURE | SCIENCE & TECHNOLOGY
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