Sanders, never the most tasteful of potboiler-makers, continues his descent into sheer dumb vulgarity—following The Seduction of Peter S. with a neanderthal political/sexual thriller about the feminist threat of the future. It's 1987, and the more militant National Women's Union (NWU) has replaced NOW as the most visible feminist activist group. But activism turns into terrorism at the Canton, W. Va., NWU chapter—after Norms Jane Laughlin, chapter president, is murdered by local bigots: her lesbian lover, Molly Turner, teams up with her cop brother-in-law Rod Harding (the local Alan Alda) to take vigilante vengeance. And soon Molly and Rod are leading the Women's Defense Corps (WDC), the NWU's paramilitary division—bombing porno-magazines, lynching rapists, etc. Meanwhile, however, there are nasty Washington, D.C. power-struggles going on amongst the NWU's top brass; by 1990 slimy Constance Underwood has emerged as NWU queenpin—but her position is threatened by charismatic Molly Turner's increasing WDC notoriety. Meanwhile, too, would-be Presidential candidate Senator Dundee is basing his campaign on backlash against the WDC violence—with secret help from sexual spies, the Justice Dept., and sneaky Constance (who's easily sexually manipulated, being something of a nymphomaniac). And Molly's terrorist rise is also threatened by her devoted sister, Rod's wife Ann—who begins plotting against bisexual Molly when she finds out about the sleazy Rod/Molly love affair. Eventually, then, everybody's murdering everybody else: Rod kills his Stepin Fetchit sidekick—who knows too much; Molly shoots Constance; assorted enemies knock off Molly, making her a martyr; but it's Ann, now as ruthless as the other sisters; who becomes Dundee's 1992 running mate. . . with plans for White House murder ahead. Virtually all the women here are lesbians or nymphos. The men are cartoon-slime or flat and faceless. The plot's a melodramatic mess, with totally implausible, naive future-politics at every turn. And the trashola prose features regular dollops of sub-literate laziness (including non-words like arousement and assertation). But, though limply idiotic as suspense and uncommonly vile as an attempt at misogynistic titillation, this is sure to sell fairly well—like Peter S.—thanks to the Sanders byline and the below-the-belt, lowest-common-denominator approach.
Pub Date: Sept. 17, 1984
ISBN: N/A
Page Count: -
Publisher: Putnam
Review Posted Online: April 10, 2012
Kirkus Reviews Issue: Aug. 15, 1984
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An addictive psychological thriller.
When a mysterious novel appears on her bedside table, a successful documentary filmmaker finds herself face to face with a secret that threatens to unravel life as she knows it.
Catherine Ravenscroft has built a dream life, or close to it: the devoted husband, the house in London, the award-winning career as a documentary filmmaker. And though she’s never quite bonded with her 25-year-old son the way she’d hoped, he’s doing fine—there are worse things than being an electronics salesman. But when she stumbles across a sinister novel called The Perfect Stranger—no one’s quite sure how it came into the house—Catherine sees herself in its pages, living out scenes from her past she’d hoped to forget. It’s a threat—but from whom? And why now, 20 years after the fact? Meanwhile, Stephen Brigstocke, a retired teacher, widowed and in pain, is desperate to exact revenge on Catherine and make her pay for what happened all those years ago. The story is told in alternating chapters, Catherine's in the third-person and Stephen's in the first, as the two orbit each other, predator and prey, and the novel moves between the past and the present to paint a portrait of two troubled families with trauma bubbling under the surface. As their lives become increasingly entangled, Stephen’s obsession grows, Catherine’s world crumbles, and it becomes clear that—in true thriller form—everything may not be as it seems. But how much destruction must be wrought before the truth comes out? And when it does, will there be anything left to salvage? While the long buildup to the big reveal begins to drag, Knight’s elegant plot and compelling (if not unexpected) characters keep the heart of the novel beating even when the pacing falters. Atmospheric and twisting and ripe for TV adaptation, this debut novel never strays far from convention, but that doesn’t make it any less of a page-turner.
An addictive psychological thriller.Pub Date: May 19, 2015
ISBN: 978-0-06-236225-4
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: March 1, 2015
Kirkus Reviews Issue: March 15, 2015
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
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