An absorbing and poignant exploration of the human brain.
An acclaimed writer reflects on neurology, intuition, and Zen in this collection of essays and articles.
Shainberg, the author of multiple novels and nonfiction works, became obsessed with understanding his own neurology (“e.g., the brain that was producing the book”) while writing Memories of Amnesia in the 1970s. In researching that 1988 novel about the implications of brain damage, he had seven months of hospital access to neurosurgeons, patients, and staff. His half-century desire to understand the contradictions of the human mind is displayed in this compilation of essays and articles, many of which were first printed in the ’70s in publications like The New York Times Magazine and Harper’s Magazine. The titular essay centers on the ubiquitous sports phenomenon of hot streaks, where an athlete is on a transcendent run of making three-point shots in basketball, hammering home runs in baseball, or hitting bullseyes in archery. Regardless of the euphoria experienced by fans and teammates who witness these moments of athletic grandeur, “Hot Hands” are not a statistical reality, no matter how “brutal, sacrilegious, and seemingly inarguable” the phenomenon may be. In making this point, Shainberg references peer-reviewed studies. The author similarly uses the New York City Marathon in his essay “Going Nowhere Fast” to examine intuition-defying examples of how the “psychodrama” of sports conflicts with scientific reality. Another major theme of the book is the powerful neurological revelations offered through Zen practice. Essays, such as “The Violence of Just Sitting,” dissect Shainberg’s experiences with the devotion of “sesshin” and long periods of meditative sitting. In part a commemoration of the author’s distinguished career as an essayist, the volume pays particular attention to the interconnectedness of Zen, neurology, and creativity, ruminating on the mental processes behind Shainberg’s own work as well as others (an entire essay, for instance, centers on Zelda Fitzgerald). The collection excels at distilling the complexities of modern neuroscience into real-world examples in sports, literature, and spirituality. This emphasis on practicality is balanced with the literary sophistication and the gripping storytelling of a skilled novelist.
An absorbing and poignant exploration of the human brain.Pub Date: July 6, 2023
ISBN: 9798396049260
Page Count: 221
Publisher: Self
Review Posted Online: Dec. 13, 2023
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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