by L.E. Fraser ‧ RELEASE DATE: June 18, 2017
The author tests her sleuths in this grim and engrossing series entry.
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In this fourth volume of a series, two private investigators tangle with their own tortured pasts while hunting a serial killer.
Toronto gumshoes Samantha McNamara and Reece Hash are engaged. Reece has decided to finish law school, which has left him feeling overextended and short-tempered. When they decide to hire help for their firm, only one candidate shows up, a young man named Elijah Watson. Sam immediately distrusts his stiff movements, stilted speech, and the odd cigarette burns on his wrist. Nevertheless, Eli fixes Reece’s malfunctioning computer on the spot, so they hire him. Though Sam and Reece continue to fall out of sync emotionally, she preoccupies herself with a new case of ritualistic murder in which a University of Toronto freshman’s corpse was posed naked like a statue and his eyes were replaced with black stones. This coincides with the disappearance of college student Bart Walsh, brother of Margaret, the firm’s intern. Margaret says that Bart’s new girlfriend, Angelina “Angel” Stuart, is a rude, manipulative wild child with a questionable past. Making matters worse is the serial killer Incubus, whom Sam helped catch and place in the Millhaven Institute. He’s been writing her flattering letters to get inside her head and bring friction to Sam and Reece’s already strained relationship. In her latest outing with the two private eyes, Fraser (Red Rover, 2016, etc.) pays homage to Thomas Harris’ Hannibal Lecter by making Incubus learned, slimy, and dangerous even behind bars. She fuels the plot with increasingly sadistic secrets, one of which props up the tension between Sam and Reece (“ignoring her was his new modus operandi, along with his grumpy demeanor and argumentative attitude”). Careful details about the murders, like the staging of victims during foul weather to ruin forensic evidence, are impressively geeky. And Fraser doesn’t let fans down during grisly flashbacks, as a warehouse fire leaves Incubus with “strands of charred hair” drooping “across one wide blue eye that stares sightless from bubbling flesh.” Though this story can be enjoyed alone, readers may want to experience the series’ natural progression.
The author tests her sleuths in this grim and engrossing series entry.Pub Date: June 18, 2017
ISBN: 978-0-9947742-5-5
Page Count: 404
Publisher: CreateSpace
Review Posted Online: June 28, 2017
Kirkus Reviews Issue: Aug. 1, 2017
Review Program: Kirkus Indie
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by L.E. Fraser
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by L.E. Fraser
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by L.E. Fraser
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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by Paulo Coelho ; translated by Zoë Perry
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