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THE STUFF OF DREAMS

BEHIND THE SCENES OF AN AMERICAN COMMUNITY THEATER

Not quite as imaginative and unusual as the marvelous Glass, Paper, Beans (1997), but nonetheless another fine work of...

Novelist and reporter Cohen (Heat Lightning, 1997, etc.) examines the Arlington Friends of the Drama (AFD) production of M. Butterfly for what it reveals about the changing shape of community theater—and in the nature of community itself.

Founded in 1923 as a genteel recreation for society ladies in suburban Boston, AFD in the late 1990s found itself struggling to attract younger members, who had less free time than their predecessors and looser links to Arlington (where its recently renovated theater stands). M. Butterfly, which features nudity and a same-sex love affair, was a controversial choice for the over-50 crowd that constitutes the majority of AFD’s members, but director Ceila Couture (AFD president and a manager at Hewlitt-Packard) believed it was an artistically necessary step. She recruited most of the AFD stalwarts for her design team and cast a canny mix of old-timers (including board member and perennial leading man Jimmy Grana as French diplomat Gallimard) and newcomers (most notably, 22-year-old Patrick Wang as the Chinese opera star who impersonates a woman and becomes Gallimard’s “mistress”). Cohen follows the production from auditions through opening night to its triumph at a regional competition, detailing the hard work of actors, directors, designers, and backstage personnel, all of whom are profiled with empathy and acuity in lucid, deceptively simple prose. Eschewing the now-tired traditions of New Journalism, she keeps herself out of this third-person narrative, although her intelligence and sensitivity as an observer are always evident. A few first-person chapters, somewhat bumpily integrated, movingly convey Cohen’s love for amateur theater as the purest expression of the universal human desire to tell stories and make art—which she finds alive and well at AFD.

Not quite as imaginative and unusual as the marvelous Glass, Paper, Beans (1997), but nonetheless another fine work of cultural reflection by a gifted young writer.

Pub Date: May 7, 2001

ISBN: 0-670-89981-X

Page Count: 256

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2001

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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