by Leah Hager Cohen ‧ RELEASE DATE: May 21, 2024
A slow and muddled coming-of-age tale that relies on its innovative style to carry the day.
In this tale of philosophical and spiritual self-discovery, two girls—one living in a fairy-tale-like world and the other in New York City—share commonalities despite the ways their stories set them apart.
Cohen’s new novel is split into two distinct stories. One follows Ani, who finds her life turned upside down when the Captain, the man who has ostensibly been looking after her, leaves the grounds of his home without any coherent explanation. Determined to find him and bring him back, Ani leaves as well, with only her bicycle and a small, helpless kitten that shouldn’t be away from its mother—and is, on some level, undoubtedly a metaphor for Ani herself—for company. Ani’s journey is a strange and winding odyssey in which she meets a bevy of strange and wise characters and recounts the trauma of her own youth to readers as a story within a story. Meanwhile, in New York City, Annamae Galinsky is dealing with her own trials and tribulations as she navigates young adulthood alongside her mother and older brother, Danny. Deeply lonely despite the companionship she finds in the odd inhabitants of her Manhattan neighborhood, Annamae feels the pull of friendship and a reflection of herself and her struggles, which readers will know to be Ani navigating her own faraway fantasy world. The thing about this novel that will capture the attention and imagination of readers is the original format in which it is told. While Ani and Annamae’s tales can be read in chronological order, it’s noted that the sections can be read in reverse order as well, and the final chapters are printed in columns so that both stories can exist on the same page. It’s a fascinating premise (though better suited to a physical edition of the book), and the result works almost as an artistic Choose Your Own Adventure book.
A slow and muddled coming-of-age tale that relies on its innovative style to carry the day.Pub Date: May 21, 2024
ISBN: 9781954276253
Page Count: 416
Publisher: Bellevue Literary Press
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Bonnie Garmus ‧ RELEASE DATE: Oct. 13, 2026
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
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