A marvelous introduction to a fresh Southern voice.
The complexities of life in a changing Appalachia link the 12 stories in Hampton’s impressive debut collection.
In the title story, a closeted grocery store cashier named Pretty is stuck in her small-minded mountain town. “This place is a long way from Asheville—eighty miles, and a lot of churches in between.” Her only support is friend and co-worker Jamie, who “didn’t care that [she] liked girls.” But when Jamie quits her job to move to Asheville with her boyfriend, a devastated Pretty finds an unexpected new ally. In the brutally painful “Devil,” Tech. Sgt. Boggs had enlisted in the military to escape his Cumberland, Kentucky, home, but he discovers the past is never really past when he reluctantly spends the night with his fundamentalist parents before shipping out to Afghanistan. As Carolyn and Frank, the twin protagonists of the poignant “Frogs,” embark on an evening nature walk at a mountaintop research station run by a local university, Carolyn plaintively asks her brother, “Are we rednecks?” Without the right clothes or equipment for the hike, the siblings stand out as locals, and Carolyn is further humiliated by the naturalist guide’s condescension. “He’s not even from here,” she angrily notes. The demeaning attitude of outsiders toward Appalachian people is highlighted even more notably in the dazzling “Sparkle” when a visit to Dollywood shatters a woman’s romantic illusions about her husband’s scientific research partner. In writing about an often misunderstood region, Hampton could easily have succumbed to the romanticism of Lee Smith or the negative stereotypes of J.D. Vance’s Hillbilly Elegy, but she avoids these tendencies with cleareyed honesty, humor, and compassion.
A marvelous introduction to a fresh Southern voice.Pub Date: May 19, 2020
ISBN: 978-1-250-25959-2
Page Count: 208
Publisher: Henry Holt
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
