Irreverent, vulnerable, and unapologetic in every sense.
Detroit-based model, blogger, and activist Vernon describes life caught between the societal boxes of white and Islamic cultures.
Narrating the story of her life, the author takes aim at the societal vitriol directed at those living in fat, black, and Muslim bodies. “Deciding, really deciding, to unapologetically wear my hijab for me has been the most freeing and rebellious and feminist thing I could possibly do,” she writes. In a brash, slang-heavy text, Vernon—whose work has appeared in Elle, Seventeen, Teen Vogue, and the New York Times, among other publications—speaks to experiences often concealed within her communities, including mental illness, divorce, abortion, domestic violence, child sexual abuse, and body-shaming. “Self-worth was a roller coaster,” she writes, “and mine was usually attached to what I could and couldn’t fit into.” Though these traumas have deeply impacted the trajectory of Vernon’s life, she takes care to enthusiastically portray her triumphs: her escape from a dysfunctional marriage, her personal flourishing as she embarked on a plus-size modeling career, and the creation of her semiviral video, “Muslim Girl Dance.” Vernon’s narration reads like an intimate heart-to-heart chat with a friend; while her off-the-cuff riffing is infectious, the storytelling occasionally rambles. Readers may balk at the author’s apparent disdain for incarcerated people and women who have casual sex, and not everyone will understand the hard-won wisdom behind “Angry Black Bitch,” Vernon’s inner persona that turned racist, sexist, and fat-phobic aggression into the courage “[t]o step out of my comfort zone and fuckin’ live a little.” However, those looking for an imperfect hero of her own story, “with [her] own opinions and skewed outlooks and quirks,” will find this a quick, cheeky read, and her message is solid. “We are all humans with complexities,” she writes. “We are equal. We are fucked up. But we are beautiful and interesting and knowledgeable.”
Irreverent, vulnerable, and unapologetic in every sense.Pub Date: Oct. 15, 2019
ISBN: 978-0-8070-1262-8
Page Count: 240
Publisher: Beacon Press
Review Posted Online: Aug. 25, 2019
Kirkus Reviews Issue: Sept. 15, 2019
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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