An approachable, earnest, feel-good romance between a white Jewish girl and a Chinese-Canadian immigrant boy provides the...

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THE MOST DANGEROUS THING

An eleventh-grade girl wants to start a relationship but is stymied by depression and anxiety.

Syd knows her depression isn’t really out of control, like some people’s. She can usually manage the crushing fog that weighs her down: tricking herself into getting out of bed by playing the phone game; biking around Vancouver, British Columbia, until she’s exhausted; investing online with her cantankerous grandfather; eating just enough to get by. It works well enough until her lab partner, Paul, starts texting and flirting. Syd would respond in kind if she could, but she’s afraid to make eye contact or have conversations with new people—how could she possibly start a relationship? Fading into the background would be ideal, but her gregarious family has other plans. Her mother, revitalizing the family Passover celebration, ropes Syd into embarrassing Jewish singalongs. Worse, Syd’s vivacious sister wants to perform The Vagina Monologues for the school drama festival, and she’s written her own monologue—one that uses “the c-word”! The oozing darkness that dominates Syd’s thoughts is authentically represented in her present-tense narration and appropriately addressed with professional mental health treatment. Frustratingly, however, Syd’s nervousness about romantic and sexual intimacy is pathologized as a curable symptom of her mental illness.

An approachable, earnest, feel-good romance between a white Jewish girl and a Chinese-Canadian immigrant boy provides the flavor for a tale of recovery and empowerment . (Fiction. 13-15)

Pub Date: March 7, 2017

ISBN: 978-1-4598-1184-3

Page Count: 240

Publisher: Orca

Review Posted Online: Jan. 17, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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Even those who loved the first book might find too little logic in this conclusion

THE PACK

A group of shape-shifting runaways from the circus, on the run from genocidal hunters, tries to find a home.

Flo, her boyfriend, Jett, and the other shifters just want to find a strong pack to join. The teenagers (all either white or with no identified race) can all shift into an animal form: bears or tigers, parrots or rats, elephants or horses. The frightened escapees, who’ve lost many of their loved ones to hunters, have been seeking some safe place in the woods. The members of this huge cast (with too many names and animal forms to keep track of) have a wide array of agendas. Should they join the wild pack? The wolf pack? Should they even stay together? After brief dramas, many of these newly introduced characters vanish, never to be heard from again. Finally, Flo and the shifters are captured by hunters, who are in league with the lion who used to run their circus, who’d been betraying them for years and who now seeks to strike a bargain. Further dramatic revelations and betrayals await, of course. There’s no attempt to summarize the events of The Wanderers (2015), and with so many characters, side quests, and double crosses, it’s often difficult to keep track.

Even those who loved the first book might find too little logic in this conclusion . (Fantasy. 13-15)

Pub Date: Oct. 3, 2017

ISBN: 978-1-5107-1218-8

Page Count: 320

Publisher: Sky Pony Press

Review Posted Online: Aug. 27, 2017

Kirkus Reviews Issue: Sept. 15, 2017

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Moving imagery is muddied by disjointed character representation in a novel that feels overcrowded.

ANGEL THIEVES

A Texas bayou holds memories and secrets, weaving together people and animals through connected histories.

Buffalo Bayou takes her place as part of an ensemble cast that spans nearly two centuries. Sixteen-year-old Cade Curtis is a white boy who works alongside his father stealing angel statues from cemeteries for an antiques dealer, and Soleil Broussard is a 16-year-old Creole Christian with a tiny honey bear jar tattooed on her wrist. The two attend school together in present-day Houston, Texas, but the story intertwines their connection with stories of slaves and an ocelot in a narrative that runs away like the rushing of a river. Texas is a gorgeous backdrop for the story, eliciting haunting imagery that spotlights the natural beauty of the state. Each character helps piece together a quilt of experiences that stream from the omnipresent bayou who sees, hears, and protects, and the revelations of their overlapping connections are well-paced throughout. The novel is less successful, however, at underscoring why there are so many voices battling for space in the text. Too-short vignettes that are rather haphazardly forced together provide glimpses into the lives of the characters but make it difficult to follow all of the threads. While an author’s note offers historical background explaining the inspiration for the characters, it does not provide sufficient cohesion.

Moving imagery is muddied by disjointed character representation in a novel that feels overcrowded. (author’s note) (Fiction. 13-15)

Pub Date: March 12, 2019

ISBN: 978-1-4424-2109-7

Page Count: 336

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: Feb. 10, 2019

Kirkus Reviews Issue: March 1, 2019

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