An enjoyable, fast-moving yarn.
Trouble could be Jack Reacher’s middle name in this 28th adventure in the series.
In Chicago in 1992, Roberta and Veronica Sanson throw a recovering heart-attack patient out a hospital window. Thus begins a series of murders the women commit as they try to get someone to answer an important question about an event that happened in December 1969. On the team investigating the murders is Capt. Jack Reacher of the military police. Previously, he had been demoted from the rank of major, but that is literally another story. Reacher is a strange man, “naturally suited to two states of existence. Instant, explosive action. And near-catatonic stasis. It was the in-between he struggled with.” Faster and smarter than any four bad guys, he’s a superhero who deserves to have an action figure in his likeness if one doesn't exist already. But he and his team have their hands full with the Sanson sisters, who are killers on a mission. Back in 1969, there had been a team of scientists working on a secret project, and the sisters demand to know the name of the eighth team member, who all the victims insist to their death does not exist. The investigative team is puzzled as they realize someone is picking off retired scientists one by one, and “former CIA assets start dropping like flies.” There are some interesting lines: When a high-ranking government official comes under suspicion, Reacher says, “This is America. The law applies to him the same as everyone else.” Readers who follow current events may find the statement pointed. And Roberta chastises a victim: “There you go. Underestimating a woman, again. Will you never learn?” The plot gets a bit complicated, and readers will find a few nice twists. But mainly, Reacher provides the entertainment with his not quite believable fighting skills.
An enjoyable, fast-moving yarn.Pub Date: Oct. 24, 2023
ISBN: 9781984818584
Page Count: 304
Publisher: Delacorte
Review Posted Online: Aug. 25, 2023
Kirkus Reviews Issue: Sept. 15, 2023
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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