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MURDER AT THE HIGH SCHOOL REUNION

If you needed another reason to skip your own reunion, here it is.

The 25th reunion of South Portland (Maine) High School’s class of 2000 is highlighted by all the snark and pettiness you’d expect, plus homicide.

Tawny Bryce, the queen bee of the group, wants to celebrate the occasion by hiring classmates Sandra Wallage and Maya Kendrick, who run a private detective agency, to get the goods on Chad Bryce, her politically ambitious husband, whom she’s convinced is cheating on her. Maya’s first attempt to follow Chad to an amatory hookup goes disastrously wrong, but the detective duo manage to get a damning video of Chad and 23-year-old Lindsay Buckman thanks to the hands-on assistance of Alyssa Turner, the mousy classmate who’s blossomed into a bona fide Hollywood star—and who also promises to be the star of the reunion. Alyssa is upstaged when the furious Tawny sneaks the compromising footage into a playlist of videos shown at the reunion and then has her husband served with divorce papers in front of the rapt crowd. Chad predictably goes ballistic and runs away, and shortly thereafter Tawny is found strangled to death. Det. Beth Hart, Maya’s former colleague on the South Portland PD, isn’t exactly eager for Sandra and Maya’s help. But no one’s more likely to sort through the dislike, jealousy, and thwarted romantic longings that have festered among their classmates ever since they were stuck together in high school. For better or worse, they identify a likely suspect only two-thirds of the way through the story, and thereafter the mode shifts from catty whodunit to suspenseful pursuit, a genre Hollis doesn’t handle with nearly as much authority.

If you needed another reason to skip your own reunion, here it is.

Pub Date: July 1, 2025

ISBN: 9781496752871

Page Count: 288

Publisher: Kensington

Review Posted Online: April 19, 2025

Kirkus Reviews Issue: May 15, 2025

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A DEADLY EPISODE

Yes, it has its playfully witty moments, but it’s a distinctly minor work in the author’s brainteasing canon.

Murder disrupts the filming of—what else?—The Word Is Murder, based on the first novel starring author Horowitz and his sometime partner, ex-copper Daniel Hawthorne.

With commendably dramatic timing, gofer Izzy Mays bursts into the middle of a pivotal shot on location at The Stade in Hastings to announce that Hawthorne’s been murdered. Of course, what she means (though Horowitz takes his time clarifying this ambiguity) is that David Caine, the rising star playing Hawthorne, has been fatally stabbed in the neck. Suspicion falls on James Aubrey, the agent Caine had just fired; Izzy, because Caine had caused her to be fired, too, though he ended up making his exit first; Ralph Seymour, the washed-up actor who’d returned from New Zealand to play Horowitz opposite Caine, his mortal enemy; and producer Teresa de León, who’s abruptly lost an important source of funding for the project; director Cy Truman; and screenwriter Shanika Harris, because why not? After Hawthorne builds meticulous hypothetical cases against several of these suspects, provoking Teresa’s apt rejoinder, “All those questions in the script and now you’re asking them for real,” he responds to Horowitz’s theory that he may have been the intended target after all by sharing a story from his early days as a private investigator in what ends up looking like the most elaborately extended red herring in the history of detective fiction. The two plots, past and present—or, to be more precise, past and present-day-adaptation-of-a-story-from-the-less-distant-past, are eventually woven together in ways only Horowitz’s most devoted fans will celebrate.

Yes, it has its playfully witty moments, but it’s a distinctly minor work in the author’s brainteasing canon.

Pub Date: April 28, 2026

ISBN: 9780063305748

Page Count: 608

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 19, 2026

Kirkus Reviews Issue: Feb. 15, 2026

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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