A book editor confronts the darkness of his past in Goldberg’s (Slow Down, 2015) psychological thriller, a savvy parody in the vein of American Psycho.
Kyle Broder’s life looks golden: he’s got a beautiful, successful, and undemanding girlfriend; and, as an untested editor at a big publishing firm, he's just discovered a young writer and nabbed her a huge advance on her raw first novel. When his former creative writing professor and mentor, William Lansing, contacts him to offer congratulations, Kyle is happy to invite William to dinner at his upscale apartment and introduce him to Jamie, the perfect girlfriend—who is also a phenomenal cook. Over dinner and vast quantities of good red wine, William asks Kyle for a favor: would Kyle be willing to read the novel he’s been working on for 10 years and maybe put in a good word for him at the publishing house? Kyle enthusiastically agrees, but when he begins to read through William’s novel, Devil’s Hopyard, he’s shocked and horrified to discover that it’s not only badly written, but that it’s rife with pornographic violence and cannibalism. As William becomes more and more insistent that Kyle help him publish his “masterpiece” and begins stalking both Jamie and Kyle, Kyle finds that William has even written him into the novel as a possible villain. Desperate to save his relationship, his reputation, and his life, he must confront William’s madness—and try to keep this novel off the shelf. Goldberg’s novel is not particularly well-written, but it is gripping. Like the Bret Easton Ellis novel it resembles, it succeeds as sharp and bitter satire—in this case, of the publishing industry and the sensationalism and barbarity that consumers crave.
As often happens in satire, the characters quickly become caricatures, but the deeper implications about our society’s obsession with violence are resonant and disturbing.Pub Date: June 13, 2017
ISBN: 978-1-250-08354-8
Page Count: 336
Publisher: Thomas Dunne Books
Review Posted Online: April 3, 2017
Kirkus Reviews Issue: April 15, 2017
Categories: SUSPENSE | THRILLER | SUSPENSE | PSYCHOLOGICAL THRILLER | GENERAL THRILLER & SUSPENSE
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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
84
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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK REVIEW
BOOK TO SCREEN
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Categories: GENERAL THRILLER & SUSPENSE | SUSPENSE | FAMILY LIFE & FRIENDSHIP | SUSPENSE
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