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THE MENTOR

As often happens in satire, the characters quickly become caricatures, but the deeper implications about our society’s...

A book editor confronts the darkness of his past in Goldberg’s (Slow Down, 2015) psychological thriller, a savvy parody in the vein of American Psycho.

Kyle Broder’s life looks golden: he’s got a beautiful, successful, and undemanding girlfriend; and, as an untested editor at a big publishing firm, he's just discovered a young writer and nabbed her a huge advance on her raw first novel. When his former creative writing professor and mentor, William Lansing, contacts him to offer congratulations, Kyle is happy to invite William to dinner at his upscale apartment and introduce him to Jamie, the perfect girlfriend—who is also a phenomenal cook. Over dinner and vast quantities of good red wine, William asks Kyle for a favor: would Kyle be willing to read the novel he’s been working on for 10 years and maybe put in a good word for him at the publishing house? Kyle enthusiastically agrees, but when he begins to read through William’s novel, Devil’s Hopyard, he’s shocked and horrified to discover that it’s not only badly written, but that it’s rife with pornographic violence and cannibalism. As William becomes more and more insistent that Kyle help him publish his “masterpiece” and begins stalking both Jamie and Kyle, Kyle finds that William has even written him into the novel as a possible villain. Desperate to save his relationship, his reputation, and his life, he must confront William’s madness—and try to keep this novel off the shelf. Goldberg’s novel is not particularly well-written, but it is gripping. Like the Bret Easton Ellis novel it resembles, it succeeds as sharp and bitter satire—in this case, of the publishing industry and the sensationalism and barbarity that consumers crave.

As often happens in satire, the characters quickly become caricatures, but the deeper implications about our society’s obsession with violence are resonant and disturbing.

Pub Date: June 13, 2017

ISBN: 978-1-250-08354-8

Page Count: 336

Publisher: Thomas Dunne Books

Review Posted Online: April 3, 2017

Kirkus Reviews Issue: April 15, 2017

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THE WOMAN IN CABIN 10

Too much drama at the end detracts from a finely wrought and subtle conundrum.

Ware (In A Dark, Dark Wood, 2015) offers up a classic “paranoid woman” story with a modern twist in this tense, claustrophobic mystery.

Days before departing on a luxury cruise for work, travel journalist Lo Blacklock is the victim of a break-in. Though unharmed, she ends up locked in her own room for several hours before escaping; as a result, she is unable to sleep. By the time she comes onboard the Aurora, Lo is suffering from severe sleep deprivation and possibly even PTSD, so when she hears a big splash from the cabin next door in the middle of the night, “the kind of splash made by a body hitting water,” she can’t prove to security that anything violent has actually occurred. To make matters stranger, there's no record of any passenger traveling in the cabin next to Lo’s, even though Lo herself saw a woman there and even borrowed makeup from her before the first night’s dinner party. Reeling from her own trauma, and faced with proof that she may have been hallucinating, Lo continues to investigate, aided by her ex-boyfriend Ben (who's also writing about the cruise), fighting desperately to find any shred of evidence that she may be right. The cast of characters, their conversations, and the luxurious but confining setting all echo classic Agatha Christie; in fact, the structure of the mystery itself is an old one: a woman insists murder has occurred, everyone else says she’s crazy. But Lo is no wallflower; she is a strong and determined modern heroine who refuses to doubt the evidence of her own instincts. Despite this successful formula, and a whole lot of slowly unraveling tension, the end is somehow unsatisfying. And the newspaper and social media inserts add little depth.

Too much drama at the end detracts from a finely wrought and subtle conundrum.

Pub Date: July 19, 2016

ISBN: 978-1-5011-3293-3

Page Count: 352

Publisher: Scout Press/Simon & Schuster

Review Posted Online: May 2, 2016

Kirkus Reviews Issue: May 15, 2016

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LABYRINTH

Greed, love, and extrasensory abilities combine in two middling mysteries.

Coulter’s treasured FBI agents take on two cases marked by danger and personal involvement.

Dillon Savitch and his wife, Lacey Sherlock, have special abilities that have served them well in law enforcement (Paradox, 2018, etc.). But that doesn't prevent Sherlock’s car from hitting a running man after having been struck by a speeding SUV that runs a red light. The runner, though clearly injured, continues on his way and disappears. Not so the SUV driver, a security engineer for the Bexholt Group, which has ties to government agencies. Sherlock’s own concussion causes memory loss so severe that she doesn’t recognize Savitch or remember their son, Sean. The whole incident seems more suspicious when a blood test from the splatter of the man Sherlock hit reveals that he’s Justice Cummings, an analyst for the CIA. The agency’s refusal to cooperate makes Savitch certain that Bexholt is involved in a deep-laid plot. Meanwhile, Special Agent Griffin Hammersmith is visiting friends who run a cafe in the touristy Virginia town of Gaffers Ridge. Hammersmith, who has psychic abilities, is taken aback when he hears in his mind a woman’s cry for help. Reporter Carson DeSilva, who came to the area to interview a Nobel Prize winner, also has psychic abilities, and she overhears the thoughts of Rafer Bodine, a young man who has apparently kidnapped and possibly murdered three teenage girls. Unluckily, she blurts out her thoughts, and she’s snatched and tied up in a cellar by Bodine. Bodine may be a killer, but he’s also the nephew of the sheriff and the son of the local bigwig. So the sheriff arrests Hammersmith and refuses to accept his FBI credentials. Bodine's mother has psychic powers strong enough to kill, but she meets her match in Hammersmith, DeSilva, Savitch, and Sherlock.

Greed, love, and extrasensory abilities combine in two middling mysteries.

Pub Date: July 30, 2019

ISBN: 978-1-5011-9365-1

Page Count: 512

Publisher: Simon & Schuster

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

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