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BALTIMORE BLUES

When neophyte Baltimore private eye Lowell Ransom learns that the man he is tailing is not cheating on his wife as suspected, but rather moonlighting in the factory where he works, altering (though he doesn't know why) circuit boards used in jet fighters, Ransom sees a chance to make some quick money. This streak of avarice sets him apart from most of his fictional brethren—who are usually driven by more noble aims—and establishes the tone for Moler's fast-paced first thriller. Ransom needs the money to convince his estranged wife that his new endeavors can be profitable, and soon convinces Walter Samski, the hard-drinking fellow West Virginian he has been following, to join with him in an effort to determine why the boards are being altered and, more importantly from a financial standpoint, who is behind it. But once the investigation is underway, everyone Ransom approaches about the case ends up immediately—and violently—dead. In too deep to stop, he has to call on some old friends for support: a former Vietnam buddy turned Zen millionaire and a Vietnam draft-dodger turned munitions purveyor—both among the three least believable but most memorable characters here (the third is a strikingly beautiful young woman whose not-quite-gratuitous appearances are marked by her constant states of advanced nakedness and penchant for talking dirty). The trail eventually leads to a sleazy Congressman and a Watergate-era villain who worked for (and now sounds, looks, and acts like) Spiro Agnew, amidst some reasonably believable derring-do—at least until the ending, which is one of those bloody extravaganzas that are somehow overlooked by the police and other authorities. A pretty solid debut, overall; readers who enjoy the contemporary hard-boiled adventure will welcome Ransom and associates to the ranks.

Pub Date: May 1, 1991

ISBN: 0-312-05819-5

Page Count: 256

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1991

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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