A first-rate, riveting chronicle of a real-life industrial conflict and tragedy.
Selleck and Thompson recount a 1990s Canadian labor dispute that precipitated violence, sabotage, and the startling deaths of nine gold miners in this nonfiction work.
The trouble started when Royal Oak Mines took control of various gold mines in Canada. One of those was called Giant, located in the mining town of Yellowknife, where Royal Oak CEO Margaret “Peggy” Witte implemented “vigilant supervision” over the employees. This didn’t sit well with Giant’s union, the Canadian Association of Smelter and Allied Workers, especially as Royal Oak essentially dismissed the union’s grievances that had piled up during the mine’s ownership transfer. When the collective agreement expired in March 1992, a strike was inevitable. Negotiations only led to bad blood between the company and the union, and Royal Oak brought in contract workers, or “strikebreakers.” Violent incidents ensued, including a riot, mine break-ins, and the sabotage of equipment. In September of that same year, an explosion took the lives of nine men working in the mine. The Royal Canadian Mounted Police, who were already policing the labor disputes, suspected the explosion was intentional and searched for a saboteur as the unforgiving strike continued. Selleck and Thompson, who first wrote about this dispute as journalists for local publications, here deliver a scrupulously researched narrative packed with detail. Concise, journalistic prose effortlessly moves readers through a variety of interviews, from union members and strikebreakers to Royal Oak staff and RCMP officers. The narrative covers the months leading up to the strike and the murders, as well as the long-running stalemate between the company and CASAW, followed by years of fallout. The authors include background on the man who ultimately confessed to the murders and cover the interrogation that led to his confession and his eventual trial. Selleck and Thompson further bolster their account with a bevy of high-quality photos of relevant sites and people and provide a welcome focus on each of the nine victims.
A first-rate, riveting chronicle of a real-life industrial conflict and tragedy.Pub Date: Oct. 29, 2024
ISBN: 9781038306241
Page Count: 462
Publisher: FriesenPress
Review Posted Online: Feb. 18, 2025
Review Program: Kirkus Indie
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
An impressive, nuanced work of scholarship.
The Nobel laureate’s singular aesthetics.
Award-winning novelist, essayist, and literary scholar Serpell offers a compelling elucidation of Toni Morrison’s notably challenging fiction, criticism, plays, and poetry. “There are passages in Morrison’s works,” she has found, “that no reader I’ve ever met understands on the first go.” The source of Morrison’s “famed difficulty,” as Serpell sees it, was not “her intersectional identity, her prickly personality, or her contrarian politics,” but rather her complicated and sophisticated understanding of Black aesthetics. Serpell’s subtle textual analysis of 11 novels, “Recitatif”—Morrison’s only published short story—and several essays, plays, and poems is enriched by her prodigious literary background and insights she has gleaned from archival sources: letters, diary entries, notes, and manuscripts. Morrison, she asserts, “refused for her work to be reduced to her race and her gender, or to be forced to fit the expectations foisted upon her as a result.” Tar Baby (1981), Morrison’s fourth novel, seems to Serpell the first time in the writer’s career that she “directly addressed the white/black dichotomy” with characters who “are avatars for race.” Serpell gives extensive attention to “Recitatif,” a story in which “all racial codes” are vanished, yet one in which “racial identity is crucial” to its characters. The story emerges as “a kind of asymmetrical, contrapuntal, alternative dialogue” between its two female protagonists, “between an individual voice and the instruments of the social world, or between the reader’s experience and the story’s unresolved chords—or codes.” Celebrating Morrison’s “masterful difficulty and superb wit,” “her inscrutable yet perfect metaphors,” and “her unaccountable rushes of imagination,” Serpell affords ample evidence that she was “a writer whose deliberate difficulty—personal, political, and literary—defied classification…and made for brilliance.”
An impressive, nuanced work of scholarship.Pub Date: Feb. 17, 2026
ISBN: 9780593732915
Page Count: 416
Publisher: Hogarth
Review Posted Online: Sept. 12, 2025
Kirkus Reviews Issue: Oct. 15, 2025
PERSPECTIVES
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
