Overlong, yet never dull. Server writes with a contagious enthusiasm for his subject and a solid grasp of Hollywood history...
Little falls on the cutting room floor is this full-dress biography of a screen icon.
If a photo of a stunning beauty in a New York City photographer’s window hadn’t caught the eye of a passerby, Ava Gardner might have spent an uncomplicated life as a secretary and mother in North Carolina. Alas, the photo captured the attention of MGM, always eager to hang another star in the heavens. Hollywood historian Server (Robert Mitchum, 2001, etc.) covers—down to the last also-ran—the turbulent life and career that ensued. Clearly, the camera loved Ava, but that didn’t mean she was a shallow stunner who couldn’t act. George Cukor, directing her in Bhowani Junction, sensed in her work the power of Garbo. Her performance in Mogambo garnered an Oscar nomination, while critics and audiences lauded her for On the Beach and Seven Days in May. Dross along the way—55 Days in Peking and something called Tam Lin—mattered little to her: Love, sex and booze formed the core of her life. Relationships (with Howard Hughes, a matador, several leading men and many extras, including, perhaps, a few women) and marriages (to Mickey Rooney, Artie Shaw and Frank Sinatra) were passionate, violent and beyond her control—she kept going back to lover George C. Scott, who kept knocking her around. Wounds were salved by drunken debauchery—the Ritz Hotel in Madrid banned her from the premises after she urinated in the lobby. Alone, but tranquil in her sad final days, she listened to Sinatra’s recordings and leafed through a packet of his love letters.
Overlong, yet never dull. Server writes with a contagious enthusiasm for his subject and a solid grasp of Hollywood history that Ava’s fans and film buffs will enjoy.Pub Date: April 18, 2006
ISBN: 0-312-31209-1
Page Count: 608
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2006
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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