An unsparing, intimate reflection on the many ways money—or the lack thereof—can tear a family apart.
A frank memoir of money and the man.
Culture critic Siegel (Groucho Marx: The Comedy of Existence, 2015, etc.) incisively explores his modest New Jersey upbringing, exposing more deeply the personal history he shared in a June 2015 New York Times op-ed piece, in which he confessed to defaulting on his student loans. Reaching back to his pre-college struggles, the author recounts the bleak tale of his youth, growing up a budding intellectual drawn to writing amid a dysfunctional domestic scene. Siegel’s graceful opening description of the full moon shining like an “incandescent coin” subtly introduces the central role money played in the cataclysmic decline of the relationship between his failed jazz pianist father and unstable, “aspiring actress” mother, whom the author sees as driven together and, finally, apart by their “mutual vulnerability.” The title refers to the arrangement his father made with the real estate firm who employed him as an agent, whereby he was advanced a weekly salary against future commissions with the understanding it would be paid back. However, the more he “depended on the Draw to live, the more it shrank his life”—to the point that, when sales didn’t materialize, he eventually amassed a huge debt, which led to his firing, divorce, and having to declare bankruptcy while Siegel was in college. Thrust into ever more dire financial circumstances by his father and psychologically tortured by his mother, who “seemed to live for bitter emotional combat with everyone around her,” the author repeatedly endured humiliation in an attempt to support himself and get an education. Beautifully portraying his resulting masochistic “dedication to suffering” as akin to a “Buddhist monk on fire,” Siegel doesn’t hold back in baring his emotional scars. Though filled with moving introspection and insight, especially into the intangible ravages of poverty, the book may leave some readers wanting: if not for forgiveness or acceptance of the parental inadequacies he admirably bested, then at least the balm of forgetting.
An unsparing, intimate reflection on the many ways money—or the lack thereof—can tear a family apart.Pub Date: April 4, 2017
ISBN: 978-0-374-17805-5
Page Count: 272
Publisher: Farrar, Straus and Giroux
Review Posted Online: Feb. 5, 2017
Kirkus Reviews Issue: Feb. 15, 2017
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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