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THE DRAW

A MEMOIR

An unsparing, intimate reflection on the many ways money—or the lack thereof—can tear a family apart.

A frank memoir of money and the man.

Culture critic Siegel (Groucho Marx: The Comedy of Existence, 2015, etc.) incisively explores his modest New Jersey upbringing, exposing more deeply the personal history he shared in a June 2015 New York Times op-ed piece, in which he confessed to defaulting on his student loans. Reaching back to his pre-college struggles, the author recounts the bleak tale of his youth, growing up a budding intellectual drawn to writing amid a dysfunctional domestic scene. Siegel’s graceful opening description of the full moon shining like an “incandescent coin” subtly introduces the central role money played in the cataclysmic decline of the relationship between his failed jazz pianist father and unstable, “aspiring actress” mother, whom the author sees as driven together and, finally, apart by their “mutual vulnerability.” The title refers to the arrangement his father made with the real estate firm who employed him as an agent, whereby he was advanced a weekly salary against future commissions with the understanding it would be paid back. However, the more he “depended on the Draw to live, the more it shrank his life”—to the point that, when sales didn’t materialize, he eventually amassed a huge debt, which led to his firing, divorce, and having to declare bankruptcy while Siegel was in college. Thrust into ever more dire financial circumstances by his father and psychologically tortured by his mother, who “seemed to live for bitter emotional combat with everyone around her,” the author repeatedly endured humiliation in an attempt to support himself and get an education. Beautifully portraying his resulting masochistic “dedication to suffering” as akin to a “Buddhist monk on fire,” Siegel doesn’t hold back in baring his emotional scars. Though filled with moving introspection and insight, especially into the intangible ravages of poverty, the book may leave some readers wanting: if not for forgiveness or acceptance of the parental inadequacies he admirably bested, then at least the balm of forgetting.

An unsparing, intimate reflection on the many ways money—or the lack thereof—can tear a family apart.

Pub Date: April 4, 2017

ISBN: 978-0-374-17805-5

Page Count: 272

Publisher: Farrar, Straus and Giroux

Review Posted Online: Feb. 5, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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