Charming and lively, if somewhat predictable.
A woman flees her recently torn-apart marriage to Paris, where she reevaluates her life.
When Vincent Wilde’s husband, Cillian, a renowned author, publishes a novel that tells the thinly veiled story of their relationship—and reveals the existence of an illegitimate child he fathered at age 15—she finds solace in temporarily relocating to Paris, home of her namesake, Van Gogh. In Paris, she can be “simply Vincent, not Vincent the wife or Vincent the mom or Vincent the daughter or Vincent the sister.” Vincent stays in her artist parents’ lush apartment; hosts dinners attended by a cast of cultured acquaintances; and teaches a class on journaling. The pleasant rhythm of Vincent’s routine is interrupted, though, when a friend introduces her to the energetic, violently attractive Loup—a 24-year-old who, like his wolfish namesake, symbolizes a force equally captivating and dangerous. Loup is instantly enamored with Vincent, and as he’s woven into her social circle, the attraction between them grows stronger and harder for Vincent to resist. Meanwhile, she tries to process frequent apology letters from Cillian, who’s seeking reconciliation, and strikes up a surprisingly heartfelt correspondence with her husband's estranged son. Vincent and Loup finally initiate an affair whose intensity is entirely befitting of Paris: wandering through the city aimlessly at night; meeting at Loup’s band’s smoky, busy shows; and discovering one another physically. But as Vincent's son’s wedding approaches, ensuring a reunion between her and Cillian, she’s compelled to reevaluate the person she’s become during her marriage and must decide whether her time in Paris will prove life-altering or nothing but a brief, beautiful mirage. Though its plot sometimes proves predictable—the love triangle at the book’s center is its almost-exclusive focus, and it presents few unexpected turns (or character developments, at least on the men’s parts)—this is a smoothly written, enjoyable novel that gives due to the social and emotional complexities of middle age. Vincent is a lovable protagonist; the narrative is also interspersed with her diary entries and letters, creating a self-aware, three-dimensional character. Cross-Smith sensitively explores the many permutations of romantic and platonic love and the idea that, especially in Paris, one’s love may not be limited to a single other person.
Charming and lively, if somewhat predictable.Pub Date: May 31, 2022
ISBN: 978-1-5387-5516-7
Page Count: 384
Publisher: Grand Central Publishing
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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