An unbalanced novel restlessly forces a happy ending.
A group of friends have their bonds tested during two challenging summers 15 years apart.
In 2004, Rosemarie, Ada, Caroline, and Kasey (who affectionately refer to themselves as RACK) are graduating from high school in a small Southern town. Each is mired in concerns for the future, first-time loves, and tumultuous family situations: Rosemarie and Kasey have plans to move away, while Ada and Caroline plan to stay in Goldie and open businesses together. Fifteen years later, the four are reunited in Goldie for the first time since then, as Kasey has finally returned home from New York for a wedding, which forces her to confront the reasons she left abruptly after her mother’s death in 2004 as well as her unresolved feelings for her first love even though she’s engaged to a man in New York. But her friends are keeping secrets of their own: Rosemarie is dealing with cancer and balancing her emotions for her two lovers; Ada’s mother is addicted to painkillers even as Ada is trying to hold on to her perfect marriage; and Caroline is in an abusive marriage with the son of the town’s richest family. The four women must relearn how to be honest and revive their unwavering support for each other when one of their own is gravely injured. Cross-Smith has crafted a dense story of devoted friendship against the backdrop of an overwhelming number of minor characters. The rotating third-person perspective combined with the amount of exposition makes it difficult for a compelling central story to rise to the surface, and once it finally does, the tension is too easily resolved, without the seriousness of violent events ever being fully recognized.
An unbalanced novel restlessly forces a happy ending.Pub Date: July 3, 2023
ISBN: 9781538707654
Page Count: 400
Publisher: Grand Central Publishing
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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