At an ordinary private school in California, a spaceship carrying alien prisoners has crashed, something has escaped and it’s up to three seemingly normal teens to track it down.
In Dunlap’s young adult novel, nothing is quite as it seems. Farrell, Izzy and Rom might look like normal teenagers, but they’re really aliens, working for the West Coast Division of the Committee, tasked with hunting down escaped alien prisoners. When a prisoner barge crashes onto the football of Lexham Preparatory Academy and a prisoner escapes from the wreckage, the three must disguise themselves as high school students to track down the missing alien; Farrell joins the basketball squad, Izzy befriends an outcast named Carolyn and Rom battles with his aging Math teacher. Dunlap expertly renders the three leads as complex, multidimensional characters. As the leader, Farrell is stoic yet cares deeply for his makeshift family. When he meets Nora, Farrell is inexplicably drawn to her as he sees past the façade she wears. Izzy may be the least girly of girls, but behind her tough act she can read the emotions of others. Rom, a genius when it comes to math, explosions and computers, desperately yearns for a real family. Although they may be alien, Dunlap makes sure that her characters have real emotions and human complexities. At times, however, our heroes seem almost too human; the reader only learns about their origins late in the novel, and the ways in which they are different from the humans of Earth aren’t fully developed. This slow reveal of information contrasts almost too sharply with the fast pace of the plot. But soon the three alien hunters realize that the cheerleaders of Lexham are swelling in ranks and acting strangely. Nora and an alien enthusiast named Bobby join forces with Farrell, Izzy and Rom to find the escaped alien. As they confront the escaped prisoner at the Halloween Carnival, they discover that this alien is, too, not what it seems, and Nora is right in the middle of the mystery. Despite some cliché plot turns found in most young adult novels and some bad one-liners, Dunlap’s prose is rich with character and setting details and vivid descriptions. Filled with great characters, good mystery and a fun twist on normal high school appearance, Dunlap’s debut is sure to appeal to teen readers.
Pub Date: Aug. 15, 2011
ISBN: N/A
Page Count: 142
Publisher: Publish Green
Review Posted Online: Jan. 27, 2012
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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