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STILL POINTS NORTH

SURVIVING THE WORLD'S GREATEST ALASKAN CHILDHOOD

The subtitle is exaggerated. Other than the setting, Newman’s story is fairly average.

Oprah.com deputy editor Newman looks back on her life, from her childhood in Alaska to her family life in New York.

The author’s parents divorced when she was young, and she spent the school months with her mother in Baltimore, Md., and her summers with her father and his new family in Alaska. After she graduated from college, Newman landed a job at a travel magazine that allowed her to take trips to Europe while keeping a small apartment in New York. The author expresses many thoughts about her relationship with her husband but more importantly, with her parents—her mother was a struggling single mother with three jobs who appeared to have mental or emotional imbalances, and her father was a hunter and fisherman, a lover of wildlife survival and outdoor activities. Newman expresses resentment toward her mother due to her odd behavior and toward her father for being temperamental. Her relationship with both of them, however, is mostly predictable and doesn’t make for exciting reading; the same is true of her relationship with her husband, whom she left for a period because, as she repeats often, she was uncomfortable with commitment. She told him they should just stay married without saying much about the emotions that led to that moment. Her story and musings about why they got back together are not convincing or entertaining. The most interesting part of the book occurs at the beginning, in which the author describes outdoor life in Alaska.

The subtitle is exaggerated. Other than the setting, Newman’s story is fairly average.

Pub Date: March 19, 2013

ISBN: 978-1-4000-6924-8

Page Count: 272

Publisher: Dial Press

Review Posted Online: Dec. 15, 2012

Kirkus Reviews Issue: Jan. 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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