It’s rich territory, if not entirely mined.
Tensions grow between the co-founders of a hot, womencentric startup in this hyper-timely—and unexpectedly heartfelt—satire of #girlboss culture and the wellness industrial complex.
Maren and Devin are the co-founders of Richual, a social network for women. In addition to tracking your self-care habits—minutes meditated, REM sleep slept, water consumed—it was, Maren explains, the “digital sanctuary where you went to unload your pain,” mostly in the form of yoga selfies. In the unofficial org chart of Richual, it is Maren’s job to be competent and Devin’s job to be rich, charismatic, and thin. "More than work wives," Maren muses, "Devin and I were sisters." And the company is a perfect mashup of their comparative ideologies, Maren’s commitment to global social justice paired with Devin’s passion for self-care. But as the company comes under a series of extremely 2020 stresses—the novel opens with a PR disaster brought on by one of Maren’s ill-conceived tweets and culminates in a distinctly #MeToo–era crisis—their visions of what a feminist company can and should be become increasingly incompatible. Richual is a stand-in for any number of real women-led companies that sell female empowerment as an affordable luxury, and Stein sets up both the dream and the failings of this breed of corporate feminism with admirable nuance. But the book is smarter than its characters, who are exactly who you expect them to be, right down to the details meant to complicate them. This hardly takes away from the fun of the novel, which is compulsively readable, occasionally brilliant (a Vogue slideshow about their office is titled “Workplace as Vulva—And Why Not?”), and studded with genuine insight into the relationship between modern wellness and dormant rage. But the book—which leans heavily on references in lieu of precise observations—is ultimately too broad to have much bite.
It’s rich territory, if not entirely mined.Pub Date: June 30, 2020
ISBN: 978-0-14-313519-7
Page Count: 256
Publisher: Penguin
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A book begging to be read on the beach, with the sun warming the sand and salt in the air: pure escapism.
Three woman who join together to rent a large space along the beach in Los Angeles for their stores—a gift shop, a bakery, and a bookstore—become fast friends as they each experience the highs, and lows, of love.
Bree is a friendly but standoffish bookstore owner who keeps everyone she knows at arm’s length, from guys she meets in bars to her friends. Mikki is a settled-in-her-routines divorced mother of two, happily a mom, gift-shop owner, and co-parent with her ex-husband, Perry. And Ashley is a young, very-much-in-love bakery owner specializing in muffins who devotes herself to giving back to the community through a nonprofit that helps community members develop skills and find jobs. When the women meet drooling over a boardwalk storefront that none of them can afford on her own, a plan is hatched to divide the space in three, and a friendship—and business partnership—is born. An impromptu celebration on the beach at sunset with champagne becomes a weekly touchpoint to their lives as they learn more about each other and themselves. Their friendship blossoms as they help each other, offering support, hard truths, and loving backup. Author Mallery has created a delightful story of friendship between three women that also offers a variety of love stories as they fall in love, make mistakes, and figure out how to be the best—albeit still flawed—versions of themselves. The men are similarly flawed and human. While the story comes down clearly on the side of all-encompassing love, Mallery has struck a careful balance: There is just enough sex to be spicy, just enough swearing to be naughty, and just enough heartbreak to avoid being cloying.
A book begging to be read on the beach, with the sun warming the sand and salt in the air: pure escapism.Pub Date: May 31, 2022
ISBN: 978-0-778-38608-7
Page Count: 352
Publisher: Harlequin MIRA
Review Posted Online: March 15, 2022
Kirkus Reviews Issue: April 1, 2022
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