A captivating—if imperfect—account of colonialism, Islam, and the burgeoning nation of Sudan.
A young woman struggles for independence alongside a nation.
Akuany is a child when her Sudanese village is raided, her father killed. She is able to survive when Yaseen, a young merchant who had been visiting from Khartoum, takes her along with him, thereby tying their fates irrevocably together. Aboulela’s latest novel is set in the late 1800s, when Sudan was still under Ottoman rule, though the cracks in that empire were beginning to show. A leader springs up, quickly gathering followers; he has proclaimed himself the Mahdi, or redeemer, prophesied in Islam. But Yaseen, who gives up his inheritance as a merchant to study the Quran, has little faith in this leader. Aboulela’s nuanced descriptions of Sudan’s history—colonial, social, and religious—are the best parts of this rich and moving novel. Even as England vies for dominion over Sudan, even as Aboulela writes about the changes in power, her prose never turns heavy-handed. Akuany is renamed Zamzam, and as her country grows increasingly violent, her own fortunes are tumultuous, as she is sold into and out of slavery, ever loyal to Yaseen, who at first thinks, “My love for Zamzam is a burden,” and, not long after, “She is not a burden but a gift. It is wrong to think otherwise.” But while Aboulela’s handling of Zamzam and Yaseen’s relationship is vivid, even captivating, she doesn’t manage the novel’s plot with quite the same verve. The pacing often feels off. Tragic or violent events take place with little warning or fanfare, and a side story about a Scottish painter isn’t fully integrated into the rest of the book. Still, there is a great deal to admire in Aboulela’s work.
A captivating—if imperfect—account of colonialism, Islam, and the burgeoning nation of Sudan.Pub Date: March 7, 2023
ISBN: 978-0-8021-6066-9
Page Count: 400
Publisher: Grove
Review Posted Online: Dec. 23, 2022
Kirkus Reviews Issue: Jan. 15, 2023
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A debut novel with bright spots, but unbalanced and lacking in finesse.
A high school senior pursues an affair with her teacher.
Seventeen-year-old Waldo, the narrator of McCurdy’s fiction debut, lives in Anchorage, Alaska, with her mother, though she’s long been the parent in their relationship. She heats her own frozen meals and pays the bills on time while her mom chases man after man and makes well-meaning promises she never keeps. Waldo blows her Victoria’s Secret wages on online shopping sprees and binges on junk food, inevitably crashing after the fleeting highs of her indulgences. Mr. Korgy, her creative writing teacher, has “thinning hair and nose pores”; he’s 40 years old and married with a child. Nevertheless—or possibly as a result?—Waldo’s attraction to him is “instant. So sudden it’s alarming. So palpable it’s confusing.” Mr. Korgy professes to want to keep their friendship aboveboard, but after a sexual encounter at the school’s winter formal that she initiates, an affair begins. Will this reckless pursuit be the one that actually satisfies Waldo, and is she as mature as she thinks she is? Waldo is a keen observer of people and provides sharp commentary on the punishing work of female beauty. Readers of McCurdy’s bestselling memoir, I’m Glad My Mom Died (2022), will surely be curious about the tumultuous mother-daughter relationship, and it is one of the novel’s highlights, full of realistic pity and anger and need. (“I want to scream at her. I want her to hug me.”) Unfortunately, the prose is often unwieldy and sometimes downright cringeworthy: When Waldo tells Mr. Korgy she loves him, “The words hang in the air in that constipated way they do when you know that you shouldn’t have said them.” Waldo frequently lists emotions and adjectives in triplicate, and events that could be significant aren’t sufficiently explored or given enough space to breathe before the novel races on to the next thing.
A debut novel with bright spots, but unbalanced and lacking in finesse.Pub Date: Jan. 20, 2026
ISBN: 9780593723739
Page Count: 288
Publisher: Ballantine
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
BOOK REVIEW
SEEN & HEARD
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