A captivating—if imperfect—account of colonialism, Islam, and the burgeoning nation of Sudan.
A young woman struggles for independence alongside a nation.
Akuany is a child when her Sudanese village is raided, her father killed. She is able to survive when Yaseen, a young merchant who had been visiting from Khartoum, takes her along with him, thereby tying their fates irrevocably together. Aboulela’s latest novel is set in the late 1800s, when Sudan was still under Ottoman rule, though the cracks in that empire were beginning to show. A leader springs up, quickly gathering followers; he has proclaimed himself the Mahdi, or redeemer, prophesied in Islam. But Yaseen, who gives up his inheritance as a merchant to study the Quran, has little faith in this leader. Aboulela’s nuanced descriptions of Sudan’s history—colonial, social, and religious—are the best parts of this rich and moving novel. Even as England vies for dominion over Sudan, even as Aboulela writes about the changes in power, her prose never turns heavy-handed. Akuany is renamed Zamzam, and as her country grows increasingly violent, her own fortunes are tumultuous, as she is sold into and out of slavery, ever loyal to Yaseen, who at first thinks, “My love for Zamzam is a burden,” and, not long after, “She is not a burden but a gift. It is wrong to think otherwise.” But while Aboulela’s handling of Zamzam and Yaseen’s relationship is vivid, even captivating, she doesn’t manage the novel’s plot with quite the same verve. The pacing often feels off. Tragic or violent events take place with little warning or fanfare, and a side story about a Scottish painter isn’t fully integrated into the rest of the book. Still, there is a great deal to admire in Aboulela’s work.
A captivating—if imperfect—account of colonialism, Islam, and the burgeoning nation of Sudan.Pub Date: March 7, 2023
ISBN: 978-0-8021-6066-9
Page Count: 400
Publisher: Grove
Review Posted Online: Dec. 23, 2022
Kirkus Reviews Issue: Jan. 15, 2023
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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