Hard to follow and likely to leave readers cold.

READ REVIEW

A WARM CHRISTMAS

A white Christmas is a dream come true for Jack—or is it?

Jack has a snow globe that seems to hold his vision of an ideal Christmas setting. The snowy landscape with three evergreen trees contrasts with the tropical place where Jack lives with his family. “Where Jack lived, Christmas was never white,” reads an early spread depicting Jack and his parents outside near large trees, a parrot sitting on a branch, and a dog panting in the heat. Without any explanation, the setting suddenly changes to depict a snowstorm outside as text reads, “One magical Christmas Eve… / Jack’s wish came true!” Is this a dream? Did the snow globe on the table somehow instigate the change in weather? Why does Jack have a long, white-and-red muffler in this warm climate? Such essential plot points go unexplained as Jack ventures outside to play in the winter wonderland. He enjoys himself until he realizes he’s all alone, and then he returns home. Somehow, dumping out the water and snow from his snow globe causes his family to reappear and the landscape to return to its warm, tropical state, affirming that “a warm Christmas is the best kind of Christmas there is.” Jack and his family present white. Instructions for a DIY snow globe follow.

Hard to follow and likely to leave readers cold. (Picture book. 4-7)

Pub Date: July 7, 2019

ISBN: 978-981-4828-29-1

Page Count: 40

Publisher: Marshall Cavendish

Review Posted Online: July 28, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles.

THE DINKY DONKEY

Even more alliterative hanky-panky from the creators of The Wonky Donkey (2010).

Operating on the principle (valid, here) that anything worth doing is worth overdoing, Smith and Cowley give their wildly popular Wonky Donkey a daughter—who, being “cute and small,” was a “dinky donkey”; having “beautiful long eyelashes” she was in consequence a “blinky dinky donkey”; and so on…and on…and on until the cumulative chorus sails past silly and ludicrous to irresistibly hysterical: “She was a stinky funky plinky-plonky winky-tinky,” etc. The repeating “Hee Haw!” chorus hardly suggests what any audience’s escalating response will be. In the illustrations the daughter sports her parent’s big, shiny eyes and winsome grin while posing in a multicolored mohawk next to a rustic boombox (“She was a punky blinky”), painting her hooves pink, crossing her rear legs to signal a need to pee (“winky-tinky inky-pinky”), demonstrating her smelliness with the help of a histrionic hummingbird, and finally cozying up to her proud, evidently single parent (there’s no sign of another) for a closing cuddle.

Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles. (Picture book. 4-6)

Pub Date: Nov. 5, 2019

ISBN: 978-1-338-60083-4

Page Count: 24

Publisher: Scholastic

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history.

THE SCARECROW

Ferry and the Fans portray a popular seasonal character’s unlikely friendship.

Initially, the protagonist is shown in his solitary world: “Scarecrow stands alone and scares / the fox and deer, / the mice and crows. / It’s all he does. It’s all he knows.” His presence is effective; the animals stay outside the fenced-in fields, but the omniscient narrator laments the character’s lack of friends or places to go. Everything changes when a baby crow falls nearby. Breaking his pole so he can bend, the scarecrow picks it up, placing the creature in the bib of his overalls while singing a lullaby. Both abandon natural tendencies until the crow learns to fly—and thus departs. The aabb rhyme scheme flows reasonably well, propelling the narrative through fall, winter, and spring, when the mature crow returns with a mate to build a nest in the overalls bib that once was his home. The Fan brothers capture the emotional tenor of the seasons and the main character in their panoramic pencil, ballpoint, and digital compositions. Particularly poignant is the close-up of the scarecrow’s burlap face, his stitched mouth and leaf-rimmed head conveying such sadness after his companion goes. Some adults may wonder why the scarecrow seems to have only partial agency, but children will be tuned into the problem, gratified by the resolution.

A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history. (Picture book. 4-6)

Pub Date: Sept. 3, 2019

ISBN: 978-0-06-247576-3

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: May 8, 2019

Kirkus Reviews Issue: June 1, 2019

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