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THE SECOND TIME WE MET

A capable though lackluster second novel from Colombian-American novelist Cobo (Tell Me Something True, 2009) about an American man searching Bogotá for his birthmother. 

The book begins in Colombia during the era of guerrillas and paramilitary fighters and small towns that are captive to their power struggles. A quiet village is invaded by a group of guerrilla soldiers from the mountains, and their leader Gato has taken a shine to Rita Ortiz, a prim, studious girl. Armed and dangerous, Gato, or Lucas, is really just a boy himself, and the two teenagers sneak off for afternoon trysts. When his commanding officer discovers the affair, Lucas is sent back to their mountain camp as punishment. This could have been merely a bump in Rita’s well-planned life, but soon she discovers she’s pregnant and is sent away before she shames her strict family. She lives in an orphanage while pregnant and works at a flower farm, giving up her baby as soon as he is born. Despite having been a top student with dreams for a prosperous future, Rita stays away from her family and takes a job as a maid. Her baby is adopted by an American couple; two decades later, after a near-fatal car accident (one that ruins his future as a soccer player), Asher Stone goes to Colombia in search of his mother. Though he has caring parents, he asks the same questions many adopted children have: Who I am, I and where do I come from? How Rita Ortiz disappears and reemerges as Joanna López is a far more interesting story than Asher’s search for answers, and when the novel leaves Rita it slows to a halt with Asher’s musings about his origins. It is not clear why his brush with death has sent him halfway around the world. Instead of a focused urgency, his search holds a kind of vague desperation that loses the reader’s attention.    

 

Pub Date: Feb. 29, 2012

ISBN: 978-0-446-51938-0

Page Count: 384

Publisher: Grand Central Publishing

Review Posted Online: Jan. 22, 2012

Kirkus Reviews Issue: Feb. 1, 2012

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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