Plot, shmot—the real story here is lush, immersive writing and a relentless reality that crushes a girl’s soul.
For Kiara Johnson, life in her family’s studio at Oakland’s Regal-Hi Apartments might be bleak—mattress on the floor, cackling crack addict next door, bags of dog poop bobbing in the complex swimming pool—but it’s all she knows, and she’ll do what it takes to preserve it.
Life has never been easy for Kiara. Her father died when she was 13, her mother attempted suicide and is now living in a halfway house, and Vernon, the landlord, has just doubled the rent. Older brother Marcus thinks his nonexistent hip-hop skills will be their golden ticket, so it’s up to high school dropout Kiara to look for work at Walgreens, CVS, and finer stores everywhere, including the strip club where Marcus’ ex now tends bar. No dice—Ki’s only 17. A drunken coupling with a club patron that’s more non- than consensual yields her virginity, a quick $200, and a really bad idea—“just till I get us out of our rent debt.” While the eventual tale of sexual violence, police corruption, and injustice preordained is inspired by real-life Oakland events, it’s Kiara’s intense, anguished interiority rendered in lovely and poetic exposition that drives this evocation of an underclass and the disposable women just trying to survive. If the rich language occasionally tips toward impenetrable (“brushing against my skin like 7-Eleven slushies in the winter”?), so too does the hard trap Kiara can’t escape, the engineered tragedy of intersectional poverty, racism, and misogyny. The acute observations are more remarkable still considering the author is herself a promising Oakland teen.
Plot, shmot—the real story here is lush, immersive writing and a relentless reality that crushes a girl’s soul.Pub Date: June 7, 2022
ISBN: 978-0-593-31893-5
Page Count: 288
Publisher: Knopf
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
BOOK REVIEW
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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