Deighton's longest, most complex and passionate novel in years: an epic tale, set in a South American jungle, of good men and women crushed beneath the heel of Realpolitik. The world-weary pessimism that seeped into Spy Sinker (1990) stains these pages black; even Deighton's customary whimsy has withered into a pervasive bitter irony. Yet there's valor in his new, brilliantly realized huge cast of characters, beginning with two men who travel for different reasons to Spanish Guiana: Australian M.D. Ralph Lucas, sent by a relief group to research medical conditions in the area controlled by the MAMista Marxist guerrilla movement; and Angel Paz, an idealistic young ``Yanqui'' Marxist determined to fight for revolution. After meeting under the brutal gaze of the country's neofascist rulers, the pair— accompanied by Inez, a beautiful female revolutionary—endure a harrowing air ride to the south, where they link up with General Ram¢n, leader of the MAMista. There, disillusionment sets in as Lucas is shocked at the rampant disease and malnutrition, and Paz finds himself compared unfavorably by Ram¢n to the wise, if capitalist, Lucas. A guerrilla raid on an American outpost jacks up the emotional tension: Inez, to her shame, kills in cold blood; Paz causes an innocent's death; a CIA man is captured—and proves the key for future horrors. Meanwhile, in mesmerizing scenes set—in contrast to the miasmic jungle—in elegant D.C. power venues, including the White House, the President and his chief advisor hammer out a shady deal with Ram¢n to permit US exploitation of a huge oil find in guerrilla territory. To consecrate the deal, Ram¢n sends Lucas and comrades to escort the CIA man north on a jungle trek that explodes in heroism, betrayal, absurdity, and death. The spirits of Graham Greene and Joseph Conrad hover over this stately, outstanding mix of tragedy and black farce that builds slowly—but inexorably—to its piercing conclusion.
Pub Date: Aug. 1, 1991
ISBN: 0-06-017936-8
Page Count: 416
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1991
The battle scenes are riveting, the human drama flat.
Brooks combines her penchant for historical fiction (Year of Wonders, 2001, etc.) with the literary-reinvention genre as she imagines the Civil War from the viewpoint of Little Women’s Mr. March (a stand-in for Bronson Alcott).
In 1861, John March, a Union chaplain, writes to his family from Virginia, where he finds himself at an estate he remembers from his much earlier life. He’d come there as a young peddler and become a guest of the master, Mr. Clement, whom he initially admired for his culture and love of books. Then Clement discovered that March, with help from the light-skinned, lovely, and surprisingly educated house slave Grace, was teaching a slave child to read. The seeds of abolitionism were planted as March watched his would-be mentor beat Grace with cold mercilessness. When March’s unit makes camp in the now ruined estate, he finds Grace still there, nursing Clement, who is revealed to be, gasp, her father. Although drawn to Grace, March is true to his wife Marmee, and the story flashes back to their life together in Concord. Friends of Emerson and Thoreau, the pair became active in the Underground Railroad and raised their four daughters in wealth until March lost all his money in a scheme of John Brown’s. Now in the war-torn South, March finds himself embroiled in another scheme doomed to financial failure when his superiors order him to minister to the “contraband”: freed slaves working as employees for a northerner who has leased a liberated cotton plantation. The morally gray complications of this endeavor are the novel’s greatest strength. After many setbacks, the crop comes in, but the new plantation-owner is killed by marauders and his “employees” taken back into slavery. March, deathly ill, ends up in a Washington, DC, hospital, where Marmee visits and meets Grace, now a nurse. Readers of Little Women know the ending.
The battle scenes are riveting, the human drama flat.Pub Date: March 7, 2005
ISBN: 0-670-03335-9
Page Count: 288
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2005
A rollicking first novel from British journalist Hornby that manages to make antic hay of a young (barely) man's hopeless resolve not to come of age. Rob Fleming is the sort of precocious loser whose life has gone so unaccountably wrong that some deep romantic grief must be invoked to explain it. ``The unhappiest people I know, romantically speaking,'' according to Rob, ``are the ones who like pop music the most; and I don't know whether pop music has caused this unhappiness, but I do know that they've been listening to the sad songs longer than they've been living the unhappy lives.'' As a case in point, the 35-year-old Rob not only listens to these songs himself but peddles themas the founder and proprietor of Championship Vinyl, a seedy vintage-record store in a quiet back alley of North London. Business is hardly booming these days, and the shop would have gone under long ago but for Rob's lawyer- girlfriend Laura, who has propped it up time and again with cash from her own very ample pool. Once she dumps Rob, however, everything is suddenly on the verge of collapsefiscally and emotionallyand Rob is forced to ask himself how he landed in such a mess. Naturally, he has no idea, so he proceeds to look up his ex-girlfriendsall the way back to high schooland ask them why things never worked out. As a pilgrimage, Rob's quest bears more resemblance to Monty Python than Chaucer, and his own inability to put two and two together somehow endears him to the very women whose affections he seems least able to requite. Reality bludgeons him in the end, and he succeeds, as the plot is spun, in drawing a few morals that surprise him by their simplicity and point toward a happy endingor at least a second chance. Fast, fun, and remarkably deft: a sharp-edged portrait that manages at once to be vicious, generous, and utterly good-natured.
Pub Date: Sept. 5, 1995
ISBN: 1-57322-016-7
Page Count: 304
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1995
BOOK TO SCREEN
BOOK TO SCREEN
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