A breezy, smart apocalyptic tale that makes sequels look tempting.

THE METAL WITHIN

In the opening installment of debut novelist Gizinski’s sci-fi series, survivors in a dystopian world encounter a covert organization that targets threats to citizens.

Jack Mathews lives in what remains of the mid-21st century United States, which has been ravaged by missile strikes, riots, and civil wars. He preaches at his own church, and although gangs are prevalent in the decimated country, Jack is on relatively good terms with members of the Razors. He hopes that they aren’t the ones pushing a dangerous street drug called Diamond. Meanwhile, private eye Melissana Trellan has taken on a new client: Elaine Martinez, wife of Justin Martinez. He’s known as “The Man Who Saved the World from Extinction” because his company developed synthetic foodstuffs to counter mass starvations resulting from the Grain Blight of 2029. Elaine thinks that her husband is cheating on her, but Melissana discovers some other information that may put Justin in peril. In a concurrent storyline, Corey Martin, in his late father’s armed-and-armored Sabretooth, makes his way to the Fortress Town of Hagerstown, Maryland, with a woman named Susan Blakeslee. They’ve been fleeing Iron Mike and his Steel Jackals ever since Corey saved Susan from them; the gang’s determination to ensnare the couple soon incites the townspeople to protect their home. Enter a clandestine agency with the resources to combat such menaces, which aims to recruit skilled people by whatever means necessary. Gizinski ably establishes his characters and the harrowing world in which they live; for example, just because Melissana’s pal Josanne Sinclair has aspirations to be an investigative journalist doesn’t mean that she isn’t also trained in self-defense and firearms. Most of the initial action is reserved for Corey and Susan alone, who find themselves in exhilarating predicaments, such as a high-speed pursuit and the aforementioned Hagerstown standoff. Details about the secret organization come much later, but the author saves some space afterward for characters to train, learn new tech, and even actively go after bad guys. There’s also a few surprises, including revelations of a villain’s identity and of a character’s pre-existing link to the covert group.

A breezy, smart apocalyptic tale that makes sequels look tempting.

Pub Date: Dec. 8, 2016

ISBN: 978-1-4808-3864-2

Page Count: 374

Publisher: Archway Publishing

Review Posted Online: Jan. 31, 2017

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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A breezy and fun contemporary fantasy.

THE HOUSE IN THE CERULEAN SEA

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 11, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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